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This post covers Monday and Tuesday.
--- --- --- --- --- ---
MONDAY
Up early, breakfast, general messing around, then getting an Uber to O'Malley Brass Instruments.


The shop is run by Miles O'Malley, no direct relation although the last name does imply that we're probably some sort of distant cousins or whatever. Obviously I am interested in his trombones because they say "O'Malley" on them! But also because Miles is an excellent craftsman and I was curious to try his instruments.
You guys gotta understand: Miles makes his horns entirely in-house, by hand, which is so incredibly rare.
We caught up for a bit--Miles and I worked at BAC Music in Kansas City together for a time and a lot has happened since then--and then I got to try some of his horns. He had two large tenors for me, one in gold brass and one in yellow brass.

Some details of the F attachment tubing and rotors, and the intricate bell engraving which is done entirely by hand by a guy named Adam.


Some points of interest for you non-trombonists are the braces, which are the parts that look like a rod or bar ending in silver tubes. The silver parts are shaped kind of like fish vertebrae, and the entry points of the tuning slides (which are the topmost curves in the left picture) are somewhat flared, both unique features that to my knowledge are not found on other trombones. Miles says he's also put a lot of thought into the brace points between the bell and the F attachment tubing in order to allow for more resonance while still providing structural support.
(This brace point is the primary one and is standard on all trombones, but he's used his own logo-shape-design-thing so I wanted to show it.)

Miles's years of experience and his skills aside, my expectations were pretty low. I mean, most major instrument manufacturers have been around for decades. They have factories, and the highest-tech equipment, and budgets to hire loads of workers. Miles has himself, a fellow creator/designer, a bell maker/engraver, a machinist, an assembly/repair guy, and a buffer. That's six people, plus a few seasonal kids that he hires for misc smaller tasks. In addition to trombones his shop also makes trumpets, individual parts for both trumpets and trombone, and some French horn parts.
Naturally he has produced very few trombones so far, and most of those were on preorder. I'm assuming that the two I tried are kept as floor models. Floor models get handled and beat up a lot. So again, my expectations were low. I don't doubt the quality or Miles's abilities, but he's just starting out and can't possibly be producing excellent horns just yet.
Right?
Actually...............
As I played, moving up and down the range of the instrument, paying attention to response and tone and slide quality and balance and a whole slew of other things....I found myself becoming more and more impressed. This was a REALLY good trombone. The biggest surprise came when I tried jumping octaves, and found it incredibly easy compared to other trombones I've played...even including my rare and legendary Earl Williams trombone.
Like, I tried to play a high E, and it came right out. No fighting or squeezing or twitching the slide millimeters to try and find the microscopic sweet spot that would allow the note to sound. It was just...there. I'm sure that this all sounds like gibberish to you, but know that to trombonists it is a BIG DEAL. Traditionally some notes do not sound as good/come out as easily as others on certain instruments. On trombones those notes are usually E natural and B natural, especially the high ones. To have them just pop out loudly and proudly and easy as apple pie is a DREAM.
I "can" play a high E natural on my Williams, but it's not pleasant. I have to fight for it.
Evidence video (the high E occurs at the 00:11 mark):
But it comes right out on this big ol' O'Malley tenor! I was VERY impressed! Too bad I just bought a bass trombone and totally won't be able to afford an O'Malley trombone until AT LEAST next year. But in the meantime, damn, it is SO COOL to see my surname proudly displayed on such a fine, handmade instrument!! Great job, Miles!!
After that Miles and Adam gave me a tour of their workshop. I recognized many of the same tools and machinery that I've seen at Warburton Music, Shires, BAC, and other manufacturers over the years. I won't bore you with talk of mandrels or dent rollers or buffing compounds; just assume it was all Really Cool Stuff. There were huge rolls of raw sheeted brass, and bells in various stages of shaping, and rotors waiting to be assembled, and all kinds of mysterious (to me) tools and gadgets.


Partway through, Yuexin (machinist) came through and introduced herself, and through her I answered some questions about my musical background and current activities. We chatted a bit more, I played the horns one more time, and as I was leaving Miles graciously gave me a logo shirt! I will wear it proudly. And start saving for one of these trombones!

From there I Ubered to the really awesome local grocery that had the tasty-looking hot bar.
This was my treat to myself for NOT blowing loads of money these past several days :)

Look, they had chicharrones! I've always wanted to try these but the fact that they're basically pure fat continues to deter me. But they look so crunchy and amazing! Ah, maybe next time.

So, so glad I went back for this hot bar. It was SO GOOD.
I got a big salmon filet, and some brisket burnt ends (they threw the burnt ends right in with the main slices, and they were all caramelized and crunchy/chewy...AMAZING.) I got a pork rib that was so tender I could easily crack the bones to get marrow, and some Cajun shrimp rice that made my nose run from the heat but was so tasty, full of plump shrimp. And on the side I had sliced grilled veggies, asparagus, and a big chunk of spiced roasted sweet potato.
I am very jealous of people who can eat here every day!!
After a little break to digest I practiced bass, then made plans with a former My Fair Lady company manager who is in Chicago and wanted to grab lunch. That'll be something to look forward to in addition to the opening night party :)
The rest of the night was chill, typing this post and packing for the move downtown tomorrow.
Jameson messaged to remind me that LEGO Masters was on, and that's how I found out the TV in my room doesn't work. ARGH. It's ok, I'll watch it when it's streaming tomorrow.
-------------------------------------------------------------------------------
TUESDAY
Had a lousy final sleep at this motel because the AC decided to go haywire in the night. I had set it at 75 and woke up freezing at 66! Argh. I'd better not get sick.
Blew the morning doing car insurance research (I'm having a coworker drive my car on layoffs) and typing this whole post up. At 10:30 I checked out and Ubered to the downtown hotel. 11am is generally too early to check in anywhere, and this was no exception. But they will always hold your luggage for you, so I dropped it all except for my purse and grocery tote and took myself to Whole Paycheck for lunch. The hot bar is priced by weight, and that makes it very affordable for someone like me who doesn't eat big meals. $11 later I was full. Walked to a nearby park to enjoy fresh air and kill time.

I started to walk to Navy Pier but only got partway before realizing that I'd probably be able to check in soon. Back to Whole Paycheck for groceries for the week. I was very well-behaved but accidentally bought double protein when I picked up tofu, decided against it, went to put it back but found an associate restocking/blocking that area, and then I wandered elsewhere and COMPLETELY forgot about it at checkout. Argh. My plan is to not open it at all, and leave a note for housekeeping hoping that one of them might enjoy it.
This hotel room is a mite different from the motel. But you know, I feel comfortable in both.

I unpacked and ate dinner and felt very tired indeed. A nice hot shower, chatting with Jameson, and some lavender tea was helpful. I skipped practice entirely but that's all right. Wrote the motel a good review to help bolster their business.
While I was doing all of that, the company truck was pulling up to the Cadillac Palace to begin load in.

(photo courtesy someone in our group chat)
I'm happy to be here for the party...I'm LUCKY to be able to AFFORD to be here, and that my plans had already included time in Chicago such that I only needed to alter those plans a bit to attend. Our violinist is not so lucky. And I'd be lying if I said it didn't still hurt, that another trombonist is in rehearsal right now with the rest of the band. And that the show will go on without me for a MONTH. That's not to say I think I'm important to the show, but that I'm feeling left out :/ But I knew that this layoff was coming. And ALL of the horns/winds/strings will be laid off for all of the other union cities, so it's not like I'm alone in these feelings. It's mainly because we've just started and this is the opening week. That makes it more emotional, and a lot harder to be cut out.
All right, now that's off my chest...I'm just glad to be here! To watch the show, spend time with friends, and celebrate the start of tour with everyone! It'll be a fun and exciting 48 hours in Chicago!
----------------------------------------------------------------------------
Wednesday: Meeting some My Fair Lady friends for lunch, otherwise no plans. Practice at the hotel, practice walking in heels and using the fabric tape for that revealing top. Would be nice to go for a walk.
Thursday: Daytime is free, then at night it's seeing our show followed by the company party! Yay!
This post covers Monday and Tuesday.
--- --- --- --- --- ---
MONDAY
Up early, breakfast, general messing around, then getting an Uber to O'Malley Brass Instruments.


The shop is run by Miles O'Malley, no direct relation although the last name does imply that we're probably some sort of distant cousins or whatever. Obviously I am interested in his trombones because they say "O'Malley" on them! But also because Miles is an excellent craftsman and I was curious to try his instruments.
You guys gotta understand: Miles makes his horns entirely in-house, by hand, which is so incredibly rare.
We caught up for a bit--Miles and I worked at BAC Music in Kansas City together for a time and a lot has happened since then--and then I got to try some of his horns. He had two large tenors for me, one in gold brass and one in yellow brass.

Some details of the F attachment tubing and rotors, and the intricate bell engraving which is done entirely by hand by a guy named Adam.


Some points of interest for you non-trombonists are the braces, which are the parts that look like a rod or bar ending in silver tubes. The silver parts are shaped kind of like fish vertebrae, and the entry points of the tuning slides (which are the topmost curves in the left picture) are somewhat flared, both unique features that to my knowledge are not found on other trombones. Miles says he's also put a lot of thought into the brace points between the bell and the F attachment tubing in order to allow for more resonance while still providing structural support.
(This brace point is the primary one and is standard on all trombones, but he's used his own logo-shape-design-thing so I wanted to show it.)

Miles's years of experience and his skills aside, my expectations were pretty low. I mean, most major instrument manufacturers have been around for decades. They have factories, and the highest-tech equipment, and budgets to hire loads of workers. Miles has himself, a fellow creator/designer, a bell maker/engraver, a machinist, an assembly/repair guy, and a buffer. That's six people, plus a few seasonal kids that he hires for misc smaller tasks. In addition to trombones his shop also makes trumpets, individual parts for both trumpets and trombone, and some French horn parts.
Naturally he has produced very few trombones so far, and most of those were on preorder. I'm assuming that the two I tried are kept as floor models. Floor models get handled and beat up a lot. So again, my expectations were low. I don't doubt the quality or Miles's abilities, but he's just starting out and can't possibly be producing excellent horns just yet.
Right?
Actually...............
As I played, moving up and down the range of the instrument, paying attention to response and tone and slide quality and balance and a whole slew of other things....I found myself becoming more and more impressed. This was a REALLY good trombone. The biggest surprise came when I tried jumping octaves, and found it incredibly easy compared to other trombones I've played...even including my rare and legendary Earl Williams trombone.
Like, I tried to play a high E, and it came right out. No fighting or squeezing or twitching the slide millimeters to try and find the microscopic sweet spot that would allow the note to sound. It was just...there. I'm sure that this all sounds like gibberish to you, but know that to trombonists it is a BIG DEAL. Traditionally some notes do not sound as good/come out as easily as others on certain instruments. On trombones those notes are usually E natural and B natural, especially the high ones. To have them just pop out loudly and proudly and easy as apple pie is a DREAM.
I "can" play a high E natural on my Williams, but it's not pleasant. I have to fight for it.
Evidence video (the high E occurs at the 00:11 mark):
But it comes right out on this big ol' O'Malley tenor! I was VERY impressed! Too bad I just bought a bass trombone and totally won't be able to afford an O'Malley trombone until AT LEAST next year. But in the meantime, damn, it is SO COOL to see my surname proudly displayed on such a fine, handmade instrument!! Great job, Miles!!
After that Miles and Adam gave me a tour of their workshop. I recognized many of the same tools and machinery that I've seen at Warburton Music, Shires, BAC, and other manufacturers over the years. I won't bore you with talk of mandrels or dent rollers or buffing compounds; just assume it was all Really Cool Stuff. There were huge rolls of raw sheeted brass, and bells in various stages of shaping, and rotors waiting to be assembled, and all kinds of mysterious (to me) tools and gadgets.


Partway through, Yuexin (machinist) came through and introduced herself, and through her I answered some questions about my musical background and current activities. We chatted a bit more, I played the horns one more time, and as I was leaving Miles graciously gave me a logo shirt! I will wear it proudly. And start saving for one of these trombones!

From there I Ubered to the really awesome local grocery that had the tasty-looking hot bar.
This was my treat to myself for NOT blowing loads of money these past several days :)

Look, they had chicharrones! I've always wanted to try these but the fact that they're basically pure fat continues to deter me. But they look so crunchy and amazing! Ah, maybe next time.

So, so glad I went back for this hot bar. It was SO GOOD.
I got a big salmon filet, and some brisket burnt ends (they threw the burnt ends right in with the main slices, and they were all caramelized and crunchy/chewy...AMAZING.) I got a pork rib that was so tender I could easily crack the bones to get marrow, and some Cajun shrimp rice that made my nose run from the heat but was so tasty, full of plump shrimp. And on the side I had sliced grilled veggies, asparagus, and a big chunk of spiced roasted sweet potato.
I am very jealous of people who can eat here every day!!
After a little break to digest I practiced bass, then made plans with a former My Fair Lady company manager who is in Chicago and wanted to grab lunch. That'll be something to look forward to in addition to the opening night party :)
The rest of the night was chill, typing this post and packing for the move downtown tomorrow.
Jameson messaged to remind me that LEGO Masters was on, and that's how I found out the TV in my room doesn't work. ARGH. It's ok, I'll watch it when it's streaming tomorrow.
-------------------------------------------------------------------------------
TUESDAY
Had a lousy final sleep at this motel because the AC decided to go haywire in the night. I had set it at 75 and woke up freezing at 66! Argh. I'd better not get sick.
Blew the morning doing car insurance research (I'm having a coworker drive my car on layoffs) and typing this whole post up. At 10:30 I checked out and Ubered to the downtown hotel. 11am is generally too early to check in anywhere, and this was no exception. But they will always hold your luggage for you, so I dropped it all except for my purse and grocery tote and took myself to Whole Paycheck for lunch. The hot bar is priced by weight, and that makes it very affordable for someone like me who doesn't eat big meals. $11 later I was full. Walked to a nearby park to enjoy fresh air and kill time.

I started to walk to Navy Pier but only got partway before realizing that I'd probably be able to check in soon. Back to Whole Paycheck for groceries for the week. I was very well-behaved but accidentally bought double protein when I picked up tofu, decided against it, went to put it back but found an associate restocking/blocking that area, and then I wandered elsewhere and COMPLETELY forgot about it at checkout. Argh. My plan is to not open it at all, and leave a note for housekeeping hoping that one of them might enjoy it.
This hotel room is a mite different from the motel. But you know, I feel comfortable in both.

I unpacked and ate dinner and felt very tired indeed. A nice hot shower, chatting with Jameson, and some lavender tea was helpful. I skipped practice entirely but that's all right. Wrote the motel a good review to help bolster their business.
While I was doing all of that, the company truck was pulling up to the Cadillac Palace to begin load in.

(photo courtesy someone in our group chat)
I'm happy to be here for the party...I'm LUCKY to be able to AFFORD to be here, and that my plans had already included time in Chicago such that I only needed to alter those plans a bit to attend. Our violinist is not so lucky. And I'd be lying if I said it didn't still hurt, that another trombonist is in rehearsal right now with the rest of the band. And that the show will go on without me for a MONTH. That's not to say I think I'm important to the show, but that I'm feeling left out :/ But I knew that this layoff was coming. And ALL of the horns/winds/strings will be laid off for all of the other union cities, so it's not like I'm alone in these feelings. It's mainly because we've just started and this is the opening week. That makes it more emotional, and a lot harder to be cut out.
All right, now that's off my chest...I'm just glad to be here! To watch the show, spend time with friends, and celebrate the start of tour with everyone! It'll be a fun and exciting 48 hours in Chicago!
----------------------------------------------------------------------------
Wednesday: Meeting some My Fair Lady friends for lunch, otherwise no plans. Practice at the hotel, practice walking in heels and using the fabric tape for that revealing top. Would be nice to go for a walk.
Thursday: Daytime is free, then at night it's seeing our show followed by the company party! Yay!