taz_39: (Default)
**DISCLAIMER** The views and opinions expressed in this post are my own, and do not reflect the views or opinions of my employer.
DO NOT RESHARE ANY PART OF THIS POST WITHOUT EXPRESS PERMISSION. Thank you.**

This post covers Monday and Tuesday.

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MONDAY

I was ripped out of a deep sleep at 5am by the fire alarm in our hotel going off.

I put in earplugs and almost went back to bed, but then remembered that the hotel probably HAS to call the fire department and they'd be checking rooms. So I shuffled out the door and down four flights of stairs to the side entrance, where most of the cast were standing about yawning and with arms folded in a posture of anxious waiting.

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We were around the back of the building. A fire truck must have pulled up to the front pretty quickly, because only 20 minutes later the truck looped around the building and left. The firemen waved at us as they drove past. We all shuffled back up the stairs. In my room the bathroom light was on and the sink was running...I suppose that means the firemen/hotel staff had checked it? Nothing else in my room was out of place.

I read my book for a while and managed to doze for an hour, then gave up and got up.
Made my overnight oats fun today by adding little marshmallows :)

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Then I spent quite a while working on notations in my Beauty and the Beast music because there will be another trombonist playing the show in Chicago (per Rule 24.) There are changes to articulations that we've decided on, or parts where the conductor is cuing us in in a specific way, or parts where tempos change suddenly. Leaving little notes in the music about these things is helpful to all the musicians who will see the part after you.

When that was done I wanted to go for a walk before it became unbearably hot (east coast United States is in a heat wave) so grabbed a water and wandered around nearby Union College campus.

I appreciated these big old trees which provided relief from the oppressive heat.

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There is an interesting building near the rugby field called Nott Memorial, a 16-sided structure used as a sort of museum and lecture hall. It wasn't open for visitors, but was pretty to look at.
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Equally if not more beautiful was this adorable cluster of mushrooms along one of the walking paths.
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I'd wanted to spend more time investigating, but it was 96 degrees (35.5 C) and I'd been out in the sun for 30 minutes already, so headed back downtown. It was nice to get out in the fresh air at least.

On the way back I swung by The Whistling Kettle for a "sconewich." I've had one of these before while on tour with Tootsie.
Different flavor this time: cheddar herb scone, ham, Swiss cheese, and apricot jam. Delicious!

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Not wanting to go back out in the blazing heat again, I ate lunch and had a cool shower and mostly chilled. I wiped down the flat surfaces in my room, played some games on my phone, read my book, chatted with Jameson, and hydrated. I put new corks on my cup mute because the new trombone has a bigger bell; I'll have to file the corks down tomorrow when the theater is open to us again.

For dinner I braved the heat once more to hit a NY-style pizza place just a few blocks away.
With all of the New Yorkers who snowbird down to Florida, you'd think we'd have better pizza...but no, we've lived near Orlando for 7 years and have never found authentic New York pizza near us.

I got one slice and a salad. Aaaaah so good!!

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Watched LEGO Masters with Jameson and that was pretty much my day.

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TUESDAY


The fire alarm went off AGAIN around 2am.
I don't like this trend.

It was shut off pretty quickly though, and it was easier to go back to sleep. I was up at 8 for breakfast and to fix my Chicago foodie finds, which I hadn't updated for the hotel this company will be staying in. Around 10 I went to the theater to practice and also to fix the cork on my bass trombone mute. I'd shaved the original cork down to fit the other bass's bell, and turns out that's too small for this bass. The added cork looks messy but it works and gives a much better sound, so hopefully that'll be an improvement until I can get the 3D-printed mutes out here.

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On the way out I saw yet another photo op being set up. It's not complete yet, they are adding some kind of LED lighting and even MORE roses if you can believe it, lol.
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Back at the hotel they had not cleaned my room yet so I thought I'd missed cleaning staff's pass. Ate lunch and was generally bored because it is still horrifically hot outside and I didn't want to go running around out there getting all sweaty. Cleaning staff came by right as I was finished eating so I hung out in the lobby for about 30 minutes to give them space. She did an excellent job on my room, and since we only have 10 more days in Schenectady it'll probably be the last time I get it serviced. Took a short nap, read my book, and was generally lazy.

After dinner I went to the theater early, dressed in blacks because we have an invited audience for this dress rehearsal. The band's road cases have been built, which will house all of our instruments and work-related equipment for this tour (instrument stands, mutes, cleaning supplies, etc.) Sometime this week we will get together and Tetris all of our stuff in there. 

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Before the show tonight, Josh (Key 1) handed us each a program. 
Our first programs from this show, this tour! 
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I've had my name in a LOT of programs over the years. But I don't think any have been as meaningful to me as this one. 
Every day I'm still digesting the fact that I'm here and doing this. I'm the trombonist for a Disney Broadway show.
It's still unbelievable and will be for a while.
I stared and stared at this program until it was time to play. 

The show went "ok," although we had to stop during Be Our Guest because one of the ensemble women was hurt (either her knee or ankle, it was unclear.) From what I've heard she's all right, but the show had to continue with one of the swings jumping in to cover her spot. 

Personally this was not one of my better shows; I felt low energy and unfocused. But that's ok...sometimes it happens, and I'd rather it happen during a rehearsal. Maybe tomorrow will be better. Ryu (violinist) and I walked out the stage door together and were startled when the huge mob of people waiting outside cheered and applauded as soon as we appeared! Usually the musicians go unnoticed. It was nice :) The actors probably got MOBBED. 

And now I'm going the heck to sleep. With earplugs in, and if there's a fire I guess I'll burn to death!

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Wednesday & Thursday:
Our first preview shows at night, possible rehearsals during the day. We are now more or less finished with "tech," and I guess this is a sort of "soft launch" in Schenectady with our official opening being in Chicago (which I'm annoyed about as I won't get to be there, but what can ya do)
taz_39: (Default)
**DISCLAIMER** The views and opinions expressed in this post are my own, and do not reflect the views or opinions of my employer.
DO NOT RESHARE ANY PART OF THIS POST WITHOUT EXPRESS PERMISSION. Thank you.**

This post covers the weekend.

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FRIDAY

I got to sleep in just a little, but was nervous about playing my bass with the group for the first time.
Walked over a bit early to assemble it, take pictures, warm up, and tune up.

Here's the new kid!

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Details of the wraps, and the cut bell (also called a screw bell or bell flare.)
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It was a very short rehearsal, only two hours.
During the break, three different musicians approached unsolicited to tell me, "This one [new trombone] sounds warmer."
Being the insecure, self-critical person that I am, rather than taking this as a compliment, I immediately started second-guessing the purchase.

Was it TOO warm?
Is the difference THAT noticeable?
Should I have tried the version with the YELLOW bell instead of gold brass?
Was this a mistake?

All because of compliments. Yep, I'm one of THESE. Sigh.

But at least I'm conscious of it. I said thanks, added that I'm still getting used to the horn and that I hope it'll be a good fit for this show. Everyone had nice things to say. If I write about this now I can look back in a month or two and roll my eyes at how absolutely ridiculous I was for feeling insecure today.

The rest of the day was chill, I received a bunch of stuff I'd ordered to put in my trunk including a 3-quart Instapot, lap desk for my laptop, a small coffee grinder, and a box of Mezcla bars which are my favorite and aren't available in some cities. For now, that and a packing cube of clothes should be plenty. I can add more things as the tour goes on. I decided to do laundry before bed as well because we've got some busy days coming up.

One more thing: our merch stand is almost set up! It is so beautiful!

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I saw fleece blankets, water bottles, mugs, a Belle tiara, a fuzzy Beast keychain, and what looked like magnets. The purple coffee mug is heat-activated and rose petals appear when you add hot water. My favorite was a HUGE Gaston beer tankard! There will also certainly be t-shirts and sweaters.
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They did a fantastic job with this logo.
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SATURDAY

I made sure to sleep in. I needed it.

Packed my meals and walked to the theater carrying my Instapot to put in my trunk.
Passed the merch stand on the way. They've added more stuff! Shirts and sweaters, a Belle doll, and I see the iconic plates from the animated movie (I want two of them!) among other things. I'm very curious about the little mirror with the black face....maybe it's a toy?

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There was also this photo op near the box office that wasn't there before. It's a little hard to tell from this pic but it's a booth, you can walk inside it so that you'll be framed with the rose.
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While putting the Instapot in my trunk I noticed that there were loads of these little name tags scattered all over the bottom of it.
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They were different shapes and sizes, rectangles and squares big and small. Our violinist was nearby putting things in her trunk too, and she didn't have any of these tags. Looking more closely, I realized that most of them did not have my apostrophe. Aha! That would (sort of) explain it! They probably started printing my name without the apostrophe, but in Disney's system I have it, so they had to re-print with it added back in, but had already cut and laminated the other sheet without the apostrophe and then didn't know what to do with those. Lol! The poor person who probably panic-dumped these labels! I will check with other musicians in case we're supposed to have a bunch of tags for some reason, but I doubt it. I will stick one on my trombone case for sure...

I warmed up in the trap room. To alleviate my insecurity about how I sound on bass trombone, I decided to be a sneaky snoop. I went to the pit to look at where people had set my audio levels on their Avioms. Hate to say it, but you can tell that someone sucks when half the pit has them turned way down or off. But no, in the majority of mixes I was at a completely normal volume. Yay! Only the trumpet and French horn had me turned significantly down, but that is normal because we are all right next to each other. This made me feel a lot better :)

And then when I was finishing my warm up, the Reed 2 musician came in. We said hello and all that, then he mentioned he'd overheard people telling me that my new trombone sounds "warm." He said, "I'm a reed player so I don't know anything about that, but I know that this one sounds better to ME." Double yay!

So now I'm going to stop worrying about it. I'm sure in a week everyone will have forgotten what my first bass trombone sounded like. It is not worth the stress.

Today was wandelprobe, and as such, our first time rehearsing with the actors!
A mic was passed around the pit so we could introduce ourselves, and we waved from our little hole in the ground. Then we got started with rehearsal. It was awesome!! Everyone sounds AMAZING. And I can see a lot from my spot near the pit wall, I'm so excited to watch when people are in full costume at the run through tonight!

For dinner break I walked back to the hotel, chatting with Jameson about his day. He's getting ready to go on his work-related cruise as a Disney producer! Still so incredibly proud of him and hope he has an absolute BLAST.

Took this picture while waiting excitedly for our first full show run through tonight.
It's the stage screen, and the pit net, reflected in my trombone bell.

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The run through went very well. Considering that it was our very first one, everyone did an amazing job! There were mistakes, but I would have been more surprised if it had been perfect on the first try. And the effects in this show are ASTOUNDING. The way the set pieces move, and the way lighting and high-tech screens and illusions are incorporated...I can only see about 1/3 of the stage from my spot, but what I could see was mind-boggling. People are going to LOVE this show!!

Afterward the band unanimously decided to have a celebratory drink at a bar across from our hotel. This was our first hang all together, and although I'd only planned to stay for one drink, turns out my coworkers were VERY curious about my circus background and wanted to hear all about it! So I stayed for a solid 4 hours, mostly drinking water and trying not to lose my voice describing what traveling year-round on a 1950s passenger train and performing 400 shows per year had been like! I did get to ask a few questions of my own, and learned a lot about our drummer and a little about our reed 2, and played the "guess my age game" with the other two ladies of the pit :p

Overall this seems like a wonderful group of people, and I hope that we'll have lots of time to get to know each other.

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SUNDAY

The band had been scheduled for a TBD rehearsal in the afternoon but it was canceled! Yay!
My whole day was free up until 7:30pm!

I was up way too early, but made the most of it by making a grocery list and Ubering to Target (I can't wait to be in a city where there are grocery stores within walking distance!!) and then swinging by the theater essentially just to steal bagels from the green room :p I wanted to go to the farmer's market again but was headachy and tired, only had one drink last night so it's probably the weather + allergies + not enough sleep. Had a restful day doing a lot of nothing, then after dinner went to the theater early to warm up on the bass and hit some spots I'd had trouble with last night.

I should perhaps mention that the availability request for the EPCOT Candlelight Processional was sent out yesterday! Once again I am bookmarking the ONE Monday rehearsal, which I will have to attend or risk losing my cast member status. I've now done this twice before while on tour, it's always harrowing and crazy, but also a reminder that few people have the privilege to do this or are even capable of doing this even given the opportunity. I'll be cranky for 48 hours, but also will have lots of fun and will be very grateful :)

Anyway, tonight Josh (our Key 1) brought in real apple cider and fresh apple cider donuts he'd gotten at the farmers market. They were delicious and gave me nostalgia for my hometown; every year at the Fair you could get apple cider freshly pressed in front of you and it was amazing. This was just like that :)

I thought today's full run was better than yesterday's overall. Still some intonation problems but a lot of that is because the pit is very cold. We also had to stop again during the Gaston/Beast fight scene, but I couldn't tell why; they took it as an opportunity to practice what happens on stage when whatever-it-was goes wrong ("technical difficulties" announcement, opening screen comes down until they're ready to move on.) Otherwise, fine show. Now I am looking forward to a full day off (though no idea what I will do with myself!)


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Monday:
A day off! The only things I have planned are to eat out for lunch and dinner as a special treat, and I'd also like to go for a walk (not much else to do in Schenectady I'm afraid)

Tuesday: Possible afternoon rehearsal followed by a show run.
taz_39: (Default)
**DISCLAIMER** The views and opinions expressed in this post are my own, and do not reflect the views or opinions of my employer.
DO NOT RESHARE ANY PART OF THIS POST WITHOUT EXPRESS PERMISSION. Thank you.**


This post covers Wednesday and Thursday.

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WEDNESDAY

Up early for rehearsal. Breakfast, walking to the theater, and warming up.

Today I received my first paycheck from the tour.
Good enough for me: I officially work here now!! :) :) :)

Rehearsal was much the same as yesterday, we played through a number and then stopped so that keycomp personnel could adjust their levels. The Assistant Music Directors (our keyboardists) also took turns conducting us for one number each, and this also allowed our rehearsal keyboardist to move around and play the parts he's covering. Knowing multiple parts and/or being able to conduct the show is a LOT of extra work...but rest assured, these guys are getting paid extra for it (as well they should be!) And they did a fantastic job. Our MD sat in the audience and said we sounded "incredible." In the pit it's very hard to tell how we sound as a group, so it's good to get audience perspective.

Before we knew it rehearsal was over. I packed up all of my things since we'll be off for a whole day, and brought my bass trombone and music to the hotel with me. Tomorrow I'm driving to Dillon Music to try bass trombones, and I'll want to compare them with the one I've currently got.

After lunch I took care of some business like ticket requests from friends, booking a hotel with my sister for a family visit in PA, and making arrangements with a coworker at Epic for her to drive my car while I'm on tour (a great solution for both of us because I don't want to sell it yet but also don't want it sitting around becoming a mouse nest like it did last time.)

Then I walked to Hertz to rent a car. It was a 2-mile walk, that's my exercise for the day.
Once I had the car I treated myself to Whole Paycheck where I got my usual favorite things.
Back at the hotel, dinner and relaxation time because although tomorrow is a day off, it'll be a long day for me.

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THURSDAY

Awake at 5am, eew. Some "day off!"

Breakfast, packed up some snacks and a phone charger and my bass trombone, and off I went for a 3-hour drive to Dillon Music.

Traffic was "New Jersey normal" and having lived in NJ for two years, I did a good job with timing and got there right at 10am. They were a bit late opening up, and there was a small queue of nervous high schoolers wanting to try out college level instruments. 

A word on instrument testing.
CLICK HERE for Nerd Stuuuuffff )

Anyway. The entryway at Dillon Music is full of photographs, programs, and memorabilia of the many many MANY brass musicians who have patronized the shop.
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The store was incorporated in 1992, but the Steve Dillon has been selling instruments since the 80s. He and his wife Lynn have come out to see my shows, and always come by the pit to say hello! Lynn was actually right at the door, but I only gave her an enthusiastic "hello" and then let her handle the people in line ahead of me (I've worked retail before!)

Behind the counter, these supercool and rare brass instruments from bygone days.
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And then we get to the good stuff. 
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This is the tuba/trumpet room. Pretty cool, huh? So few stores have a selection like this.
And here is the trombone wall (drool!) They have many more instruments in storage in the basement as well.



One of the kids ahead of me was a clarinetist (The Dillon family men served as fifers during the Revolutionary and Civil wars, and as such they keep a collection of reed instruments too.) The other was a trombonist who'd just been accepted to the Pittsburgh Youth Symphony! A sales associate led them to practice rooms and got them started with a few instruments to try based on what they were looking for. He then brought me to a third room and hooked me up with a YBL-835GD, which was the model I'd asked to try ahead of time. He also brought me a Shires Q, saying that a lot of bass trombonists preferred it. 

I had brought my Duo Gravis for comparison. One important thing to watch out for when trying new instruments is that you're not lying to yourself just because you want something new and shiny :p It's very important to be as sure as you can that the new horn will be an improvement, and/or give you something that your horn currently doesn't have. 

On the left, my Duo Gravis. On the right, the Yamaha 835. 
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For the next two hours, I played and played, and played some more. 
I carefully, painstakingly compared all three instruments by playing the same passages on them over and over, to hear the differences and pay attention to whether something was caused by me as a player, or the horn. 

The first time I came to Dillon Music as a high school student, I spent FOUR HOURS testing horns. That's because I'd never done it before; I had very little clue what to look for, and I was scared because I didn't have a lot of money to spend and didn't want to make the wrong choice. Now I'm a lot more experienced and know what to listen for, and also know that if I find out I've made a terrible mistake, I can just return it and get my old horn back! 

It was immediately clear that both new horns were an improvement over the Duo Gravis sound-wise, at least for what I need. I wanted a horn that was easier to play and had a more centered, responsive sound, and both fit the bill. But the Shires did not respond as quickly as the Yamaha, and although I could get more volume on it and it sounded wonderful, I still felt like it was fighting me more than the Yamaha. It was also significantly harder to hold comfortably. A lot of trombones are apparently designed for big MAN-BEAR MANLY MEN or something because the grips are ridiculously big, even for men. Yamahas in general tend to be designed with ASIAN men in mind, which means they are more comfortable to hold for ME. But that aside, the Yamaha won; overall it gave me what I wanted. It was direct and clean, and easier to play. It has a few quirks and as such may not be a "lifer" horn for me, but it is a great improvement and I believe it is worth the investment. 

Even with a trade-in it was $$$$ expensive! But I have my dream gig now, and I need to bring my absolute best, and right now that means upgrading my equipment. 

While waiting for my salesperson I chatted with the other trombonist's mom, which is how I found out he's doing the Pittsburgh Youth Symphony. She's not a musician at all, and the salespeople were too busy to stop by and give advice, so when her son came out I introduced myself and offered to listen and give feedback on the different horns that he was trying. He agreed and then told me what he was looking for in a horn. I listened carefully while he played the same passage across five different trombones, being careful not to look so I could judge blindly. There were two that sounded especially strong and projected well (that's what he was looking for), one was a Bach and the other a Getzen. I have played both brands before and love them both for different reasons. I gave the best advice that I could and told him what I'd heard from each horn. Ultimately it'll be up to him and his preferences. Instruments are a very personal choice, and what works for me may not work for him. I really hope he found a wonderful trombone today! 

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Kind of a sidenote + perspective for readers: 

The first time I came to Dillon Music to buy a college-level trombone, I was alone. I had driven all the way from Bloomsburg, PA, where I'd just had a fight with my dad. He had tried to stop me from buying a new trombone. He couldn't understand what was wrong with the one I already had, and lectured me for over an hour about how I was wasting my money, and on something that wasn't realistic as a career. I hate conflict and was afraid of him, and did not say a word to argue back. I sat trembling while he got in my face and paced angrily in front of me, arguing his case for why I shouldn't be buying a trombone. When he finally yelled at me to "Speak up!" and say something, I said, "I'm driving to New Jersey to get a trombone. I should be back before midnight." 

Luckily he didn't physically try to stop me, just stormed out of the room instead. And then didn't talk to me for the next 48 hours.

Under that level of stress, I drove to New Jersey. Being from a small town, driving in NJ was absolutely terrifying at the time. When I arrived there were lots of adult musicians, all men, trying horns. I was a little girl just barely getting started in music, having just endured a lot of stresses before coming there, and I was deeply intimidated and ashamed of how I sounded compared to them on top of everything else. But I HAD to get a trombone for school. So I played all the way up until closing time, to the great annoyance of the sales staff. And I traded my student Getzen for a Bach 42A. 

That Bach 42A is here with me for Beauty and the Beast. 

And now, with that perspective, you can imagine how nice it was for me today, to go back to Dillon Music and not only confidently choose a trombone for myself, but also encourage a young musician in finding a horn that was right for him.

And seeing his mom there with him, watching proudly and supporting him, was absolutely worth 6 hours in New Jersey traffic :) 


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Once the sale was complete I had to drive back right away because the day had taken much longer than I'd planned and the rental car place closed at 5pm. Ate a hasty lunch in the car while driving and got back just in time. At the hotel I gently washed the new trombone slide (it was already squeaky clean but you never know), lubed it with my preferred goop, and checked it over to make sure it's ready for tomorrow's rehearsal.

I'm so very excited to play it for this tour! My new li'l buddy! 

I will take more pictures of it once it's in the pit. 

Ate dinner, had a much-needed glass of wine, typed up this post, and crashed for the rest of the evening. 

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Friday:
A rather short rehearsal from 10am to noon, and then we are hoping to watch a full run-through of the show with costumes and everything!! 

Saturday and Sunday:
Both are long rehearsal days, and Sunday is a dress rehearsal. Wow, we're almost at previews!! How exciting!
taz_39: (Default)
**DISCLAIMER** The views and opinions expressed in this post are my own, and do not reflect the views or opinions of my employer.
DO NOT RESHARE ANY PART OF THIS POST WITHOUT EXPRESS PERMISSION. Thank you.**

This post covers Monday & Tuesday.
As part of trying to post more frequently = shorter posts, expect posts on MONDAYS, WEDNESDAYS, and FRIDAYS (it was previously Mondays and Thursdays)

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MONDAY


Actually had a good sleep for once, but felt like I could've used another hour in bed!

I got up nice and early, had breakfast and all that, and walked to the theater early so I could have time to warm up.
I wanted to feel more comfortable and ready for our first full rehearsal in the pit!

And I brought the Positive Potato that Jameson got me. For moral support :)
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I quickly found out that it would be best to take my in-ears out when playing certain pedal notes on the bass, at least for a while. I am not used to playing bass with earbuds in, so listening to how it sounds with and then without will help me to acclimate to the change and trust my ears more.

Although we received corrections and notes each time we stopped playing, this rehearsal wasn't really for the orchestra.
It was for keycomp, to make adjustments to how it sounded both with the live musicians and also in the house.

We'd play most of a number or maybe all of it, then stop and the keycomp folks would make their changes or ask to hear a specific section again so they could tweak it. These tweaks can include changing the overall volume of keycomp; changing the volume of specific instruments in keycomp; changing the tuning/pitch of individual instruments within keycomp; and even changing the articulations of keycomp instruments! And I'm sure many other types of changes that I'm not aware of. Sometimes they asked for all of us to play our parts as normal, other times they'd ask for just a few of us so they could match one instrument's volume or articulation.

I guess that's why it's called "sound design." The keycomp guys were definitely designing some sounds today!

Rehearsal was from 10am-5pm with a lunch break. Afterward we were treated to some nice snacks in one of the hotel conference rooms (it was their way of apologizing for construction going on in the hotel during our stay.) There was cut fruit, crackers, meat and cheese, wings, pretzel rolls, cheese dip, sliders, and brownies, plus misc teas and juices. It was really nice! I had some wings and a brownie and ate my actual dinner later while watching LEGO Masters "with" Jameson.

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I wanna mention one thing that I'm a bit proud of.

In the last post, I mentioned getting very frustrated with my playing and having to give myself a pep talk about it. Well today I woke up determined to do my best, stay positive, and play confidently whether I ended up feeling confident or not.

It worked. There were times that I started to feel inadequate or worry that I wasn't doing a good job. And at those times, I was careful not to back off, and to play confidently even if inside I was cringing.

No one complained about my playing, or sat me down to discuss my ability to do this job.
Whatever I was nervous and insecure about did not come to pass.
Are there things that I could do better, of course. But the same went for everyone. Every single person made mistakes today, including the MD, including the guys programming keycomp. It doesn't make them any less skilled or qualified. It makes them human. And I need to consciously, actively extend that same grace to myself.

As a person with a loud inner negative voice who has constantly put herself down since childhood, being able to project confidence today was a big deal.

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TUESDAY

Just a half day of rehearsal but it started pretty early, so I was up at 6. Breakfast and walking to the theater, warming up and chatting with the other musicians about generic stuff like our dress code, transporting misc items on tour, the fancy new Nespresso coffee machine that the musicians at Hamilton sent us as a gift.

Rehearsal went well, though many of us felt that intonation was kinda off. Having done many tech rehearsals I know that we'll have some quality fluctuations for a while until we all settle in. Again, considering how little time we've actually spent playing together, if intonation is our big worry then we've got nothing to worry about.

We were finished at noon, and I stomped up to Company Management looking for a fight :p

Not really, but I had recently been told that I would not be able to continue working as a substitute musician for Walt Disney World :(
Disney doesn't like it's cast members to work multiple positions within the company, so I knew that not being allowed to do both was always a possibility, but had hoped an exception could be made.

Company Management already knew about all of this, but after finding out they planned to remove me as a sub I'd spoken to my colleagues at Walt Disney World and they'd advised me to ask for more information, so that's what I was all-fired to do today.

But as soon as I walked in, Maia (Company Manager) said, "I sent you an email!"
Like a good little trombonist I hadn't checked my email during rehearsal. Sure enough, HR been able to work things out so that I WILL be allowed to continue subbing at Disney World! YAY!!! I'm so relieved and happy! I thanked Maia profusely.

Back at the hotel I was happy to see that my room had been cleaned and refreshed :) I clean up after myself pretty well but we're here for several weeks so I'm gonna have housekeeping come by once a week. A rare treat. Then I received a 19-quart weatherproof container I'd ordered to put inside my trunk. Another musician suggested these because they fit perfectly inside our trunks and can hold things that might leak or melt or get damaged form bouncing around.

On top of all that, the front desk gave me a warm cookie :D

The rest of my day was spent making plans for the upcoming day off, chatting with Jameson and the two female musicians in our pit, and watching Dune since it was rainy out.

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Fun Facts:

Touring shows have what's called a "footprint," which is kind of like the storage and transportation space that all of it's equipment, personnel, costumes, set pieces, etc are expected to take up. Beauty and the Beast's "footprint" is based on that of the Aladdin national tour.

Maybe partly because of that, I've discovered that we've got some road cases and equipment that were quite clearly "borrowed" from the Aladdin tour! I wonder if they'll update the labels, or keep them the same as a bit of origin story/reminder to return.
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Proctors Theater here in Schenectady has a cute little shelf in the main stairwell, and visiting shows have used it as a place to leave mementos (there are also wall tags and signed dressing room tables here.)

Here is what the stairwell shrine looked like when I was here with Tootsie in 2023:


...and here it is today! You can tell I had to back up to get everything in the photo, a lot has been added!
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Wednesday:
Another half-day, and picking up a rental car.

Thursday: Driving to Dillon Music to try out a Yamaha bass trombone, and maybe some side quests if there's time.
taz_39: (Default)
**TOUR DISCLAIMER** The views and opinions expressed in this post are my own, and do not reflect the views or opinions of my employer.

This post covers Friday through Sunday.

---    ---    ---    ---    ---    ---

FRIDAY

Was up too early again, with BATB music slamming through my brain on loop.
This is very normal for me on tour/during tech week. There's an OCD part of my brain that screams, "THIS IS IMPORTANT" and won't let me stop thinking about the music we're working on for a while. Once I feel more comfortable and am freaking out less it'll wear off.

As I was making breakfast, caught glimpses of my BATB lanyard and water bottle out of the corner of my eye, and each time had a little rush of "This is real, you're really here!" The last time I felt this weird excitement and exhilaration was when I first joined the circus. Knowing that you have a dream gig is different than accepting that you have a dream gig. It's gonna take a while to sink in.

Everything's gonna take a while. I'm impatient, but time is the only answer for a lot of things in life.

Rehearsal was much the same as yesterday except we went more slowly through everything, with a lot of time for clarifying articulations and dynamics, asking questions about this or that in our parts, trying out a few small changes for the MD and for keycomp, and generally just working on making the music BETTER.

I don't know how to describe to non-musicians how different, and refreshing, this rehearsal is.
We are on the second day and there's no question that we can all play the part. We could play the show NOW.
The combination of professionalism, discipline, and skill in the craft which we refer to as musicianship is on another level.
That's not to insult anyone. I'm saying that having worked primarily non-union tours up to this point, I can compare and see that there is a difference in how this tech rehearsal is going compared to others I've done.

Anyway, before I dig myself a hole or offend any fellow musicians,

We covered the entire show again and didn't quite get out early this time, but that's ok.
I ate dinner at the hotel and walked to a CVS for no reason other that exercise, logging about 4 miles round trip.

And that was the day. Oh, in the theater lobby today they added Belle's costumes! The "village dress" and the ball gown.
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I took close-ups of the fabric. The blue dress looks like it's got embroidery but it seems to be just a print.
But the ball gown has some SERIOUS Swarovski going on.
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SATURDAY


The time frame was the same, but this time we planned to do run-throughs.
We pretty much accomplished that, and just nitpicked and discussed the move to the pit for the rest of the time.

During lunch break I raided the Company Management office for candy (muahahaha) then went backstage and found some stagehands to help drill holes into both of my mutes. I think I mentioned this in a previous post but doing this creates less resistance and allows the mutes to sound better for some notes. I was hoping not to have to resort to this but here we are. Can't wait to try out Ilan's 3D-printed mutes after the layoff.
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After the last chunk of rehearsal we packed up our things and moved them to the pit area.
For the first time in my tour life, I'll be on the side nearest the audience! Usually I'm at the far end under the lip of the stage. I kind of prefer that because I can get out easily if I need to, and I'm generally less visible. BUT from this new position I should be able to have a better view of the stage! I feel a bit dubious (humans fret over changes to established patterns after all) but am sure I'll come to appreciate my spot :) I'll take a picture tomorrow once my stuff is in place.

Of course it's also SUPER tight down there and I've NO IDEA how I'm going to juggle two trombones plus mutes!
But that is the clown-car miracle that must take place in every pit! LOL!

Here is my avoim (personal mixer.)
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With this I can make my own "mix" of the other musicians' playing, and control how much of them I want to hear, as well as the actors, backing/sample tracks, and the MD's talkback mic. In general I prefer lots of bass and drums, with keys a close second and minimal levels of the remaining instruments. But this time we have no bass...or rather, I AM the bass! So I will probably want more of my own self in the mix, more of the keycomp software bass instruments, and more reed 2 because he's got a bass clarinet.

Here is the stand that's been built to hold the aviom. Normally it would just be mounted on a mic stand. This has got outlets AND USB/lightning connectors, which we are allowed to use!! Sweet!
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And here is my fuzzy little mic :) I've never had one like this so no idea how it compares to what I'm used to, but that's an Audio Dept problem :P
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While I was setting up my trombone stands, they were in full tech rehearsal on stage.
In full costume and full set pieces. I only got a few glimpses.

IT WAS INCREDIBLE.

It was apparent from a glance: this show is on another level.
Again, I CANNOT believe that I get to be a part of this.
And I will be praying to god every day and night with every breath in and out of my body that this isn't taken away from me.

Just, there really aren't words. This experience is once-in-a-lifetime. It's a treasure. It WILL BE a treasure.

Ok, ok. Enough sappy.

Our schedule had said "6pm-9pm: move to pit" so I'd thought we would be REALLY setting up tonight and maybe even doing a sound check. But we probably couldn't do that without disrupting the rehearsal on stage, so everyone just dropped their gear and vanished into thin air. I stuck around to gawk and feel my heart shivering over the magnitude of this show, as described, and eventually slipped out the stage door. On the way back to the hotel I happened past a metaphysical shop that was still open and popped in hoping for a candle (I like to make my hotel room smell nice.) They did have a good selection of locally-made soy candles, and I found a wonderful chai tea scent that was so strong I don't even really need to light it, just keeping it open in the room releases a soft comforting scent.

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SUNDAY

Our call time was an hour earlier, but it wasn't a "be ready to play" call time, it was a "this is when we're allowed in the pit" call time. And what that REALLY means is, "This is when you're going to stand around for 30 to 60 minutes while a whole lot of setup happens around you, after which you may enter the pit," haha.

To the crew's credit, we only stood around for maybe 20 minutes while they got our space hooked up with big plexi shields and sound-muffling foam. As mentioned earlier, I am seated against the outer pit wall which is new to me. It's a bit tight, but everywhere is a bit tight for everyone. Quite normal for older theater pits to be small, and we make it work.

I ultimately ended up with both trombones to my left, instead of the tenor cross-body in front of me. I'd suspected that this would be the case at least for the tighter pits, and it's not a problem. Our French hornist wanted to be walled off from the trumpet and I, I suppose that's what she's used to but personally I found it a bit weird. The drum cage is behind me this time; I wonder if it'll be there usually or if it just depends on the pit. It's a REALLY nice drum cage, probably the nicest I've seen. I'll get pics at some point.

For now, here is my boring setup. I've got it on wide view so there is less space than you think.
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Because the trombone is a long and thin instrument, my primary concern is always space in front of me for the slide, and space at the back of my head for the tuning slides to extend behind me. Everything after that is secondary.

Once we were mostly comfortable we did a sound check starting with drums. It's a tedious process of playing misc instruments slowly, in order, in front of each corresponding mic so that sound crew can get levels on each and every thing, and so that we musicians can adjust our mixes to what we want. I like to create three different mixes: One is panned to left earbud only, the other is panned to right earbud only, and the last is in both ears, but all three have the same general balance of instruments. I've found it helpful to have those choices as we perform in pits of different sizes, shapes, acoustic qualities, and seating arrangements.

After we'd all sound checked, we played through several show numbers. This helps sound to set levels that will be kept for each number of the show, and of course to continue adjusting us individually and as a group.

At this point I started getting pretty flustered with my playing. I hadn't gotten to warm up while setup was occurring, and was also not used to the new space yet. We got through almost the first 1/4 of the show before our rehearsal was over for the day. By the time we were finished I was outright irritated with myself. But also, I've been doing this for a long time and know that for as long as I am alive there will be days like this, where I feel inadequate and insecure. It's part of being human. So I let myself feel whatever I need to feel, then give myself a little pep talk about why I'm being silly, and then make sure not to carry any negativity into the next day so I can start over fresh. 

Today's pep talk went like this: 

Yesterday I was happy with my playing.
And the only thing that changed, from yesterday to today, was the performance environment.
My existing skill level did not change between yesterday and today.
Therefore I have nothing to be upset about.

It was such a reasonable argument that I couldn't dispute it and couldn't stay mad at myself.

I went outside and found that it was a lovely day with an adorable farmers market in progress!
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I walked carefully through all of the stalls and by huge force of will, did not buy anything!
But it was a joy to look at all the fresh veggies and baked goods and handcrafted wares :)

Lunch at the hotel then an Uber to Target (the reason I'd avoided buying anything at the market.) 
Now that I have a trunk the plan is to store a large packing cube of clothes in there, and that means I could pick up some extra clothes before the layoff in July. I found two comfy pajama bottoms, a thin silky bathrobe, two cheap t-shirts, and two niceish tank tops. Also got some supplemental tupperware and yes, a few groceries too. Back at the hotel I washed and folded all of my clothes, packed food for tomorrow, and relaxed with tea.

----------------------------------------------------------------------

Monday:
A pretty long day with sound check and rehearsal in the pit with "sound design," which I think just means "the audio department" lol.

Tuesday:
A half-day that ends at noon. Maybe this will be my time to enjoy a Foodie Find!
taz_39: (Default)
**YE OLDE TOUR DISCLAIMER** The views and opinions expressed in this post are my own, and do not reflect the views or opinions of my employer. (get used to seeing this at the top of any tour-related posts.)

Jameson did too, tossing and turning next to me.
But eventually I did get some sort of sleep and my alarm went off at 5am.
I got up that early so I could have quiet time alone to drink coffee, eat breakfast, and FREAK OUT.

This is happening. This is happening!!

WEDNESDAY - TRAVEL DAY

Jameson got up around 6:30 and drove me to the airport. He dragged my bass trombone and I dragged my janky suitcase (it has taken a lot of hits in life.) Fortunately the airport was very chill, which is rare in Orlando let me tell ya. Checked both bags and they kindly slapped some bright orange FRAGILE stickers onto the bass case.

Jameson walked me to my gate, and we hugged goodbye.
Always the hardest part. We squeeze really hard.
At least this time I know he won't be totally miserable at home! He's got his exciting new job, too!

No line at all at security either...what an auspicious day!...so I had about 45 minutes to kill.
Spent most of it reading my book and checking that I'm not dreaming.
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(The hideous MCO carpet)

The flight was very smooth and uneventful.

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CHECKING IN

Took a company Uber to the hotel...
...and LO, my trombone and accessories arrived right as I was checking in!

I had worried for nothing this time. But next time, I will make sure that there is a BUFFER DAY. Geez.
Used a luggage trolley to get everything upstairs and checked on both trombones. Both were completely unharmed!

My two trombones pictured with their respective foam cones, which are put inside the bells to absorb impact. The cases are also some of the best currently available for transporting trombones. Because if I don't invest in my gear no one else will.
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My accessories also got here safely though the box was barely a box any more and had clearly been handled badly. But I'd packaged everything carefully, so no damage.

I fell right back into my tour routine: checked that the fridge felt cold, dug an aquarium thermometer out of my suitcase and threw it in there, grabbed some tote bags, and hoofed it to a grocery store! Well, this time I had to Uber because there aren't any within reasonable walking distance. I first went to Niskayuna Co-op because I remembered it being really good with lots of local products, but was disappointed to see that their selection has dwindled. Maybe the local stuff hasn't been selling well. But I got a bar of raspberry and cracked pepper dark chocolate which I'm very intrigued to try, and some house-made pretzel rolls.

Next, Market 32 down the street which is really just a fancy version of Price Chopper. Got everything else I needed there. I actually got more than usual because we're gonna be here through July! But the hotel only has a little box fridge so I still have to be careful about how much refrigerated stuff I get. That means mostly canned or shelf stable veggies this week.

Got back to the hotel, put the food away, and unpacked.
It is so weird...it feels like I never left. Unpacking and putting stuff where I like it is like riding a bike.
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There's thankfully a lot of counter space here, so all the food is gonna live under the TV. There's a microwave so I won't need the Itaki this time. The collapsible silicone kettle is at the far end because there's an outlet there. That'll be my morning coffee or evening tea. And no, I don't use hotel coffee makers generally because have you ever looked inside one? They never clean them. Nope nope nope.

In the little box fridge I've crammed as much Greek yogurt as will fit, some cooked chicken, boiled eggs, pickled beets, and berries. I've left some room so that I can pack and refrigerate a lunch.
Choice shelf-stable foods include oats, tuna pouches, single-serve canned green beans, roasted hazelnuts, canned pumpkin, PB Fit, Core Power shakes, rice, and misc fruit. And of course I have brought Snack Pod loaded with roasted edamame, dark chocolate chips, Cheerios, Mike & Ike's, and peanut butter M&M's!

After unpacking everything else I lubricated and otherwise prepared my trombones for work tomorrow, and put my accessories and everything I'll need into a pile ready to go. Then a shower, and then we FINALLY GOT ONBOARDING PAPERWORK. MY GOD. Turns out we were supposed to get it a long time ago. I think someone forgot about us. It'll definitely get worked out, but will be keeping an eye on the progress of it.

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THURSDAY - FIRST REHEARSAL

Reminder: PLEASE DO NOT SHARE OR REPOST ANYTHING. Thanks!

I was awake early, nervous. Made breakfast in the hotel room (oatmeal with Core Power for milk, Fage Greek yogurt, blackberries) and packed my lunch. Since I don't know about our fridge situation at the theater I'm mostly packing nonperishables today, and will adjust as needed if there's a fridge. And I'm not packing dinner because we're supposed to be done rehearsing by 5pm, and since this is a union gig we WILL be done by 5pm.

Around 8:30am I loaded myself up with the two trombones, two trombone stands, bag-o-mutes, and my backpack with lunch and iPad and pedal...and realized that I needed to call an Uber. It's a short walk to the theatre but the combined weight of the trombones in their cases is about 50 pounds, plus all the equipment and my backpack...I would have been a sweaty mess. So I used the company Uber and just hoped they'd be ok with it. 

I've played at Proctor's Theater before. It's small and old, but beautiful. 
There's a sort of promenade just inside the entrance. To the right I immediately saw the stage door, and next to it this big poster. 
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We had been instructed to go up a marble staircase and make a few turns to get to our rehearsal space. 
I found the stairs.
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As I was staring at them and hyping myself up for dragging all of my equipment up there, a theater associate saw me and kindly directed me to an elevator. Which was also covered in a huge Beauty and the Beast decal, and which I couldn't photograph because my hands were full of trombones. Good lord, Disney does go hard on the marketing! 

The rehearsal room was like every other tech rehearsal room I've ever been in. It's always either a hallway, or a conference room, or a black box. The MD, keys, drums, and something called keycomp have already been rehearsing here, so everything was set up and ready to go. 
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I quickly found my spot right on the end, and got set up.
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They made us that HUGE and beautiful book of music, all printed on exquisitely thick cardstock, all lovingly bound in that heavy black folder. I felt like a poo-head, but picked it up and plopped it right on the floor next to my chair. We received PDF parts about a week ago, and I know that they match the paper parts (it's ALWAYS important to check that before ditching the printed part.) Plus, the digital part has all of my notes and I don't want to have to rewrite them, especially not if it's gonna mar these beautiful paper parts.

Anyway, here's the setup I'm going with for now.
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The bass is at my left elbow since I use it the most and since it's the heaviest. 
The tenor is at my right-front, so that I can grab it cross-body with my left hand once I've put the bass down. This is normally where my Aviom would go but I should be able to put that kinda behind my stand when we start using mixes (we don't need them for rehearsals.)
My mutes are lined up on the floor to the right of my chair because I prefer to grab them with my right hand. Water bottle goes over there too.
...that's pretty much it. Mute bag will eventually live under my chair and/or to the right of the mutes when I'm ready to pack up.

The other musicians filtered in gradually, and we introduced ourselves and chatted while rearranging our gear and tuning up. When the MD came in, he rushed right over to me and we hugged excitedly. I am so glad he's here! So glad that someone I KNOW is here! And he had a big big BIG hand in getting me this job. I feel that I owe him a lot. Michael, our rehearsal keyboardist, is also a good friend from My Fair Lady national tour, and we hugged and exclaimed excitedly about this tour for a bit. 

Then it was time to rehearse. 

We "ran it down," meaning we ran the show from top to bottom, only pausing afterward for the MD to give us notes or for us to ask questions about our parts. When we broke for lunch I went to the management office to rustle up a backstage pass. I met some of our management team, and received not only the pass but also this very cool nalgene bottle and the ubiquitous gel luggage tags! 
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Here is a better picture of the bottle after I took the protective plastic off, front and back. 
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On the way out of the office I saw this red arrow that said "TRUNKS" and decided to check it out. 
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Musicians are supposed to get trunks too. Sure enough, I quickly found mine! Luggage tag for scale. 
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You guys, this is a BIG DEAL. 
Normally on tour (or at least all the tours I've done to this point) you get two 50 pound suitcases for your personal stuff, your "band box" which is a shared road case for carrying work-related gear and instruments...and that's it. Personally I don't care to drag 100 pounds of suitcase with me everywhere, so I usually opt for one large suitcase or that plus a carry-on at most. But this trunk means that I can bring lots more stuff! I'm actually a bit overwhelmed thinking about what I could bring. A full-sized Instapot! A bigger selection of clothes! And...I honestly don't even know what else! I'll have to think about it. But this is so exciting for someone used to living out of a 29-inch suitcase! 

Our rehearsal ended 30 minutes early, so we must be doing something right :) 
I felt that it went well and hope that others felt the same way. Everyone was so professional, and SUCH excellent musicians. When everyone in the room has that kind of focus, we can sound GREAT and be very productive. 

Someone had sent a picture of the new tour truck, so I went outside to see it in person. 
I've done lots of tours but never one with it's own truck like this. A very big deal!!
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Selfie in front of the truck. I am so grateful to be here.
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I walked back to the hotel, and Jameson and I sent each other audio messages about how our days had gone. 
I ate dinner and typed up this post for y'all. 

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Welp. I'm exhausted. And still can't believe that I get to do this. 

To be honest, all day today I was freaking out inside. Absolute raging Imposter Syndrome. 
It felt like any minute someone was gonna say, "You know what...it's just not working out," and kick me out in favor of some better trombonist (there are plenty.) I was terrified of making mistakes; of disappointing or embarrassing the MD, who advocated for me to be here; of committing some shadowy faux pas that would offend someone in management.

Mainly, though, I am afraid that I haven't done a passable job on the bass trombone. It still does not feel very comfortable to me. 

Now, that said, NO ONE has given any indication that I'm doing a bad job. I got many compliments today from the other musicians and the MD. The MD even said to me, "This is your gig." But I have also been there on other gigs, when a musician was not a good fit for the group, and everyone was all smiles and compliments and then she was gone. 

Ultimately, all I can do is my best. And whatever the outcome may be...if they keep me for years, or if they approach me after a week and say, "Yeah, sorry but..."...either way there is very little that I can do about it, other than give them my best and hope it's enough. 

The problem is that the more you care about something--the more you value it--the more terrifying it is to think about losing that thing. And that is what I'm experiencing now. It was the same while i was on the circus. For the first 3 months or so I was a nervous wreck on the inside, constantly terrified that any day could be my last on the best gig I'd ever had. That day never came, and I eventually felt like I belonged. I will probably be a nervous wreck for at least a month or two on this gig...definitely until we get past the Chicago layoff. But it is my deepest hope that I'll get to stay, and that I'll get to belong here, too. 

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Friday and Saturday:
Same schedule as today, rehearsing from 10am-5pm both days.

Sunday:
Same schedule but after rehearsal we'll move to the pit!

Questions: If you have any questions about tour, tech rehearsals, music, etc, feel free to ask! Just please make sure your answer wasn't already given in the post, it'll save me having to repeat myself. Thanks and welcome along on this amazing adventure!!
taz_39: (Default)
Thursday,

EPIC STUFF

I was up early of course, and since our sets were an hour later this week I was able to visit Whole Paycheck to get my favorite Lemon Pepper Tofu Bites :)

At the park everything was normal except there were two trios there today! One set of us was there to work as usual, and the other was there to train our new subs! So of course the subs were there too and we got to meet them all. It was so cool and strange to have FOUR female trombonists sitting across from me in the breakroom! And I am very glad that our third party managed to find them. Hopefully they'll have fun at this job.

We had normal sets all day, with larger crowds than usual which was nice.
For one of the middle sets the subs came out to watch. The trombone ladies put themselves right in the center and cheered for basically everything I did, which was both flattering and terrifying haha. I didn't want to make any mistakes; I wanted to set them a good example! One tongue-in-cheek thing that I did for them was during the clarinet-heavy number. I have a lot of boring sustained notes in that piece, so I took one and popped it down an octave to make it sound big and fat. They REALLY cheered for that! Fun trombone nerd stuff :p

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JAMESON STUFF


Meanwhile Jameson was on his third day at Disney corporate. He updated me during his lunch break to say that things were going very well although he was insanely busy, basically doing introduction meetings all day long. But he is very excited about the projects he'll be on, and I am so happy to see him engaged and enthusiastic for the first time since covid. Thank god! He's needed this.

Here's the cruise ship he'll be "producing" on for a week at the end of this month! In the Bahamas! Lucky dog!
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(photo courtesy disneyparksblog)

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EPIC TEA

Another interesting tidbit from today: apparently the queue for the Ministry of Magic ride has been so ridiculous (often a 5 hour wait!) that Universal decided to try opening the Wizarding portal an hour before all the others so that the queue could form early. We weren't on the schedule that early, but when we came in everyone was talking about how the queue had wrapped around the entire park TWICE...

...and the wait time was EIGHT HOURS.

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(stock artistic rendering)

The ride went down shortly thereafter, causing people to give up on waiting and "reducing" the wait time to "only" 5 hours...but either way, who WANTS that? That's LITERALLY the whole day spent waiting for a 4-minute ride!
I mean, Monsters Unchained is also a dark ride with a similar design, it actually works most of the time, the visuals and tech are just as incredible, and the queue is average for a new ride (2 hours or less.) Eh, whatever. I was blown away by how nutty things have gotten surrounding MoM. I know it's great but...c'mon.

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POOL DECK STUFF

After work I got home and Jameson and I caught up with each other.

Sadly, the guy who sealed our pool deck did mess up after all (I had suspected something was wrong but he's the professional, so...) He fully admitted the mistake, and spent several hours this afternoon scraping and chipping the bubbled-up hardened sealant from between our pavers. I felt very bad for him, but also grateful that he is fixing the mistake instead of just screwing us over. He'll be back again next week to finish scraping.

Last few activities before going to bed included submitting my last transcription job,
taping up my trombone and equipment to ship to Schenectady tomorrow,
and drafting "thank you" emails to both Universal and our third party management for Epic Universe.

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Friday,

LAST DAY AT EPIC UNIVERSE STUFF

I was up extra early so I could load up the car and be at UPS right when they opened to ship my tenor trombone and equipment. Hopefully it all arrives on time and intact. From there I drove to Walmart and bought a bunch of treats for the other members of Place Cachee Jazz as a thank you/going away gift. I got full-sized candy bars, mini KIND bars, and assorted sweet and savory mini bags of crisps and cookies.

I was in for a surprise as well. When the boys arrived later on, Joe (clarinet) presented me with a small box.
Inside was this beautiful rose gold-colored Parker pen.
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But even better than that, and very touching, was that most of the cast and management had signed the box!
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On the other side of the box was this lovely quote that almost brought a tear to my eye. Goodness.
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Working for Epic has not been easy. We essentially learned our show in a construction zone.
We were there before the buildings were painted.
We dodged cherry pickers while learning our choreography.
We yelled our lines to be heard over jackhammers.
Our very first audiences were the construction workers (and they were a great audience too!)

It was intense, stressful, and exhausting.
But the hardships were all worth it in many ways. I got to meet all of these wonderful, professional, hardworking musicians. I got to learn how to act for the very first time. I got to see the birth of a theme park...how many people can say they've been a part of that?!


I'm grateful for what I learned, and still amazed that I got to do this and be a part of something so rare and special.
And now, it is finally June. The time has come for me to close out my chapter in this story.
It has been fun, and I am grateful. But to be honest...I have QUITE the adventure ahead of me now, too!

The rest of the day was normal. We played sets for decent crowds, I made sure to say goodbye to as many people as possible, and wrote and sent "thank you" emails to both Universal and third party management. I received many wonderful compliments and well-wishes, which I don't totally feel I deserve as my heart was never here to begin with (Friends Only people, iykyk). But still...these are great people, and I'm very proud to have worked here. It was a perfect last day for me.

The best part of all was that as soon as we started our final set of the day...it began to rain!!!
We cannot stay out in even a light drizzle when Plume (our expensive animatronic creature) is with us, so the set was immediately ended and we got to pack up early! Wheee! What a great Last Day treat for meeeee! I hugged the boys goodbye, took one last look around...and walked out.

Thus ends my time with Epic Universe (for now at least.)

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Saturday was very chill. I got up too early, answered some emails, and didn't get much done at all until before lunch when I went to get ingredients for dinner. While Jameson was at a massage I practiced bass and finally started packing "for real," which at this point mostly means packing clothes and kitchen supplies. For dinner I made basic spaghetti with bolognese and a salad, and for dessert we had Good Humor Strawberry Shortcake bars because they're nostalgic and I'd wanted them.

That's pretty much it.

Oh, I wrote a big long blog post asking readers to do this-and-that when it comes to tour tickets/visits and avoid this-and-that when it comes to interacting with me. You might think I'm neurotic, but try putting yourself in my shoes for a minute. My lifestyle means that this is NOT a normal blog. Try to imagine what I see when I open my LiveJournal.

I learned some hard lessons when I joined the circus and my blog suddenly got HUNDREDS of readers. Every day, all day, I had messages and questions and ticket requests to respond to, usually from complete strangers or long-silent acquaintances who crawled out of the woodwork to beg for freebies. These interactions are the reason why I now have all these pet peeves around my writing. There are a lot of amazing and good people in this world, and I'd like to continue interacting with those. But there are also a lot of selfish, thoughtless, hateful, and creepy people, and I need to take steps to protect myself from those.

Ultimately the TL;DR is that I want to be treated like a human being on LiveJournal. I am not a TV program, a ticket dispenser, an AI chatbot programmed to answer endless questions, or a soapbox for others to stand on. I'm a real person, just like you, writing about her life. It's a weird and exciting life, but I'm still just a woman that eats and sleeps and cries and gets annoyed like everyone else.


Anyway there ya go.

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Sunday, up too early again. It is hard to sleep when every time I wake up in the night my brain whispers about Beauty and the Beast.

When Jameson got up we went for a walk together. Talking about this and that, but mostly about our hopes and dreams for our new jobs. Jameson's grandmother passed away a few nights ago (they weren't close) so he'll be flying home after I leave for the funeral. Mariah (trombonist at Epic) is looking for a new car and is interested in using mine in the meanwhile, so I'm gonna research how we can make that happen. Just things going on with our lives.

We got back and cleaned up and had snacks. I packed a little and practiced for a scant 30 minutes.
I'd thought to use today to go shopping or clean, but this is essentially the last day that Jameson and I will have fully together, so instead we just chilled quietly in each others' company, ate pizza and my much-loved air fryer wings, and watched the Tonys.

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Monday and Tuesday:
Jameson has partial and full days at Disney respectively, so I will be using these two days to do my final tour prep. Cleaning around the house, doing some final shopping, packing, tying up lose ends.

Wednesday: Flying to Schenectady. Holy crap!
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Sorry for posting twice in a day (unusual for me) but I feel it's necessary.

I'm about to go on tour again, and having adventures always sparks an influx of new friends and interest in my journal posts.
That's great! But there are some things that new readers should know, and updates for longtime readers. 

Here goes.

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GENERAL STUFF

POST LENGTH:
Lately I've had more complaints that my posts are too long. To help with this, I'm going to start posting more frequently such that each post will cover fewer days and therefore become shorter. I'll probably start doing this once tour starts. Hopefully that will be a help.

FRIENDS ONLY POSTS:
My journal is mostly public, but every once in a while I want to write something more private and personal. My Friends Only posts are usually highly personal and cover things like family matters, introspections, life/work difficulties, or exclusive sneak peeks from my life as a musician. If you can see my Friends Only posts, it means that you are one of few people that I trust with my personal details and restricted content. Friends Only posts are NOT an invitation for unsolicited advice or critique. Please keep that in mind when you find yourself reading a Friends Only entry. Thank you.

PET PEEVES: 
Longtime readers know this already but for new readers, I have three pet peeves when it comes to this journal:

     1 - I REALLY do not like to be mansplained.
     2 - I REALLY do not like unsolicited advice.
     3 - I REALLY do not like being asked questions that show that you have not read my content (i.e. the answer to your question is right there in the post but you are too lazy to read it)


If you still feel a need to advise me or explain something to me, please consider A) ASKING if I've tried/thought of doing something instead of assuming that I haven't, and B) Choosing your words carefully, remembering that you're talking to someone with a lot of life experience, not a child who was just born yesterday.

COMMENTS: Believe it or not and despite the pet peeves above, I really do love the social aspect of journaling here. I like to hear your thoughts, learn about your life experiences, and answer your questions in the comments! It's easy to have a great conversation WITHOUT the pet peeves above. Let's just talk; let's just be friends.

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TOUR STUFF


IN-PERSON VISITS WHILE ON TOUR:
I am ALWAYS willing to try and meet up with online friends while on tour! Keyword is TRY. If you'd like to hang out, please reach out at least few days ahead so that I can make time for you or see what's going on. Thanks!
ADDENDUM:
Please don't be offended if I have to decline or cancel a visit. It is NOT personal. Touring is a lot of fun, but it's also WORK. Sometimes I need a day to rest and recover. Sometimes my schedule changes and I have to attend a rehearsal or take care of errands. Thanks for understanding this.

TICKETS TO SHOWS:
In order to get you tickets, I'll need two things from you. Thing One: Reach out at least 3 days in advance to let me know that you'd like tickets. Thing Two: Tell me what DATE, TIME, and NUMBER of tickets you'd like. Once I have this info I can find out if I can offer you discounts, freebies, house seats, etc., but to do that I need this info FIRST. Thanks!

FREE TICKETS TO SHOWS:
If I have free tickets available for you, I will offer them. If I have not offered free tickets, I DO NOT HAVE THEM and there is no point asking. Sorry!

SNEAK PEEKS/EXCLUSIVE ACCESS:
I won't be allowed to bring people backstage or to the pit for Beauty and the Beast :( I am sorry but this is up to Disney, not me. Similarly, in this blog I will always share what I can and answer any questions that you may have about the show or tour life. That said, Disney is very protective of their content, and there will be times when I will not be allowed to share media or information. Please try to understand, and let's be appreciative of the exciting behind-the-scenes things that I WILL be allowed to share!
NOTE: My Friends Only posts sometimes include exclusive sneak peeks that are absolutely not to be copied or shared.
If you can see my Friends Only posts, it means that you are one of few people that I trust with my personal details and restricted content. Please do not break that trust.

---    ---    ---    ---    ---    ---    

That's all I can think of for now. I'll update this and repost it as needed.
Thank you so much for reading, and for coming along with me on this journey!
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I've recently both added and removed friends here, and am about to go on tour again, so figured it's time to throw this out there again.

Here is a small summary-update, to introduce myself a little and share what kind of stuffs are in my posts.

INTRO

Name:
Megan
Age: 41
Married: No, BUT my partner Jameson and I have been together for over 11 years. We met while performing in the circus; he was the keyboardist and I was the trombonist. You can read about my circus life starting HERE or on any post with a "circus" tag, i.e. "circus: elephants" or "circus: train"
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Occupation: Commercial musician + random other stuff to fill the gaps between gigs. I am good at and enjoy tedious work like data entry and transcription, so am always on the lookout for jobs like that.
Residence: Orlando area, United States. Florida has a tropical climate so you will hear me talking about the heat, alligators, reptiles, strange plants, etc pretty often.
Hobbies: Reading, going for walks, amateur gardening, amateur cooking/baking, being a foodie especially while on tour, watching anime.
Family: I have four siblings (in order of age: a stepsister, a sister, and a half-brother and half-sister. This is because my parents married, had my sister and I, and then divorced and both remarried resulting in my other siblings. Hope that makes sense.) Both my mom and dad have passed away, my mom from pancreatic cancer in 2001 and my dad from COVID in 2021. My grandparents are also deceased, so all I've got for blood are some aunts and uncles, most of whom I don't keep in touch with, and my mom's sister whom I love very much and is very special to me. Because my parents had a bitter divorce when I was very young, and because of how some things went during childhood with my dad and stepmom having majority custody, you may sometimes see me write with residual bitterness about family things. I try to do this only rarely or in Friends Only posts.
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(me and 3 of 4 siblings)

Questions:
If there's anything you'd like to know about me feel free to ask! My social media and my journal are generally very open, and I post about most aspects of my life.


WORK HISTORY

MUSIC:
I went to school for music, majoring in trombone. Some music gigs I've had include Knoebels Amusement Resort band; Busch Gardens Williamsburg band; Princess Cruises house band; Ringling Brothers and Barnum & Bailey Red Unit band (for five years); Tootsie the Musical National Tour (two years); My Fair Lady National Tour (one year); Elf the Musical holiday tour (a few months); Disney's Epcot Candlelight Processional, Disney's Main Street Philharmonic (as a substitute); and a variety of local theater, big band, and orchestral performances. My big orchestral claims to fame are The Florida Orchestra and the Orlando Philharmonic as a substitute trombonist. You can see pictures and evidence of pretty much all of these gigs on my socials (IG and Facebook)
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NON-MUSIC, PAST: I've worked a lot in music retail (Music & Arts Centers) and have been a retail manager, and also excel at administrative work, especially editing, data entry, and transcription. Some of my favorite recent jobs have been CapTel Service Specialists, which was voice-transcribing live phone calls for the FCC; and TSOLife, which was data entry for nursing homes in order document the life stories of the elderly while also compiling information to enable a better quality of life. I've had a HUGE variety of jobs throughout my life, including movie theater projectionist; janitor; confectioner; kennel associate; courtroom hearing reporter; Director of Sales for a music retailer; assembly line worker; and probably loads more that I'm not remembering right now!

PRESENT: Currently I'm working several jobs. I'm a substitute musician with The Florida Orchestra and the Orlando Philharmonic, which means if one of their regular trombonists needs a day off I am on call to fill in. I'm a substitute trombonist with the Main Street Philharmonic and the Epcot Candlelight Processional, both of which hold regular rehearsals that I attend and am paid for whether I get called to play or not. Thanks to those jobs I am a Disney Castmember, and have free access to Disney World.
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As of June 2025: I have just finished five months of working as a musician/actress/"streetmosphere" entertainer for America's newest theme park, Epic Universe! I was part of a group called Place Cachee Jazz (PCJ) consisting of a trumpet, clarinet, and trombone busking in 1920s Wizarding World Paris. My character's name was Phillipa. You can still catch this show if you visit the theme park, I just won't be back in it for a while.


My other job is working on and off as a contracted transcriptionist for the Department of Justice, processing federal hearings remotely.

(UPCOMING/FUTURE): In just a few days, I am joining the 30th anniversary production of Beauty and the Beast! I have done lots of touring with non-equity shows, but this is my first true Broadway production and I'm extremely excited (and nervous) about it! This is an all-new rendition with new costumes, orchestrations, and choreography. Stay tuned!

One last thing, a "negative" about me that you should be aware of:

Peeves: As a 41-year-old woman, a musician for more than two decades, and someone who has traveled extensively and worked many MANY different types of jobs, I am deeply annoyed by people who feel the need to mansplain me on how to do this and that, or who use the comments section of my journal for unsolicited advice. If I did not explicitly ask for help or input, I do not need or want help or input. It's a journal; I often write to vent just to get things off my chest and move on, NOT to solicit life-critiques from the Peanut Gallery.

If you are one of those people who just can't help themselves, who NEED to instruct others on how to live their lives according to you, be advised that I WILL respond curtly/bluntly/rudely to advice that I did not ask for, ESPECIALLY if it's written using command language (i.e. "You SHOULD do this," or "DO THIS") or written to criticize past actions that I cannot undo (i.e. "You SHOULD HAVE done this" or "Why didn't you do X"). If you can, please refrain from using my journal as an advice dispenser to hear yourself talk.

TL;DR: I generally don't ask for or want advice, so if you feel a need to advise me, consider A) ASKING if I've tried/thought of doing something instead of assuming that I haven't, and B) Choosing your words carefully, remembering that you're talking to someone with a lot of life experience, not a child who was just born yesterday.

OK that mostly brings ya up to speed, thanks for reading!
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When I was younger I could sleep until NOON.
What happened? Argh.

Up at 7, breakfast, and started organizing the guest bedroom. It's still chaos but now the chaos is in piles: stuff I'm still using to practice, stuff to bring to Epic this week, and stuff mounded into the big suitcase for bringing on tour.

I tried the new mutes and encountered a problem: they're too big!!
I was not expecting that, and don't remember it being an issue when I tried them at Will's house. Anyway, there wasn't much I could do but feel disappointed and send pictures to Ilan and try to coordinate with him for a return visit. He's going to try printing me some smaller ones, but either way I've got to return these, and now I'm out $200 and have NO mutes :(
Disappointed and annoyed with myself for not bringing my trombone to the initial visit to check that they'd fit. It never occurred to me that they might not.

Frustrated, I decided to take myself shopping for a new black shirt to bring on tour, but after driving 40 minutes to the nearest Macy's (in a plaza with an Old Navy, Ross, and Target) I failed to find a single black button-up shirt, between all of those stores.

Even MORE frustrated now, I went to World Market and found a few nice Snack Pod options and didn't even have to pay for them because I had a gift card. I used the HP from that to try visiting a tailor to see if they could shorten the strap on my crossbody bag, but they looked at me like I was insane and said they couldn't do it. So ultimately despite the World Market goodies I still went home annoyed and feeling like I didn't accomplish diddly poo.

Back home I did more packing and planning, ordered dinner for us when it was time, and tried to schedule myself a more productive day for tomorrow. Jameson had a frustrating day at work too. Today felt like we were spinning our wheels, but some days are like that and there's nothing for it but to learn from it and then keep on keepin' on.

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Tuesday, I managed to sleep in until 8:30 which is great because Wednesday will be a LONG day.

The usual routine, breakfast and when Jameson went to the gym I practiced. When he came back I went to the grocery for dinner ingredients, packed my meals for Epic tomorrow, and cleaned the bathrooms. Rested for a bit after that, then visited a different tailor about shortening my bag strap and he was able to do it while we chatted. My hero.

Back home I made dinner (Half-Baked Harvest sweet potato skins filled with spicy turkey, white cheddar, spinach, avocado) and chilled as much as I could.

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Wednesday was the Grand Opening at Epic Universe.

If you missed the livestream, here it is:



Up at 5am, started driving at 6:45, got good parking at 7:30.
Past security is the countdown clock. Here I am in front of it back in March:


...and here it is today. One day left. Wow!
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Got into makeup and warmed up with the boys. Our first set was supposed to be at 9:30, but at 8:30 management came RUSHING in saying they needed us in costume and out there NOW.

So off we went. The cart had already been placed for us so we got into position for our first number and played it as a sound check. Then a short wait, then the media showed up so we launched into the top of our set.

We’d been asked to just play the first song again, but at the end of it we looked up and saw both stage manager and cameraman making the “keep rolling” gesture, so we kept going. And going, and going, until we’d finished a set. And then we restarted and played the top again! But after that they were done with us.

Later on we found out they’d only used about 8 seconds of footage, and it was all dialogue, no playing. Here it is (please excuse Mariah screaming in the background, she caught the footage and was excited)



Entertainment is so weird :p

It was, overall, a media day. No guests, just news outlets and streamers and influencers. Therefore when we went out for sets, it was a sea of cameras. Not just phone cameras: big expensive news cameras on stabilizers, high-fidelity cameras with huge $15,000 Canon lenses, fancy mics…one guy even got a boom mic over our heads during dialogue!

During the percussion number the media SWARMED Plume. Our poor handlers had to jump in and politely but firmly force people back. We are behind the cart during that bit and can’t really help. But no one was excessively rude and the excitement was understandable. Overall I think we handled it really well. I’m especially proud of myself for not having a panic attack (very common for me when lots of eyes are on me.)

We had two large breaks. I used the first one to practice bass, and the second to type this post and listen to music for the upcoming Chicago gig I’m dreading. And read my book :)
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(The stairwell where I practice sometimes, when the warm-up room is occupied. Do not repost.)

I guess there were celebrities around, including the actors who played the Weasley twins and Professor Flitwick. I heard that Danny Elfman and Gerard Butler were around, and a retired basketball player of some notoriety. I don’t keep up on pop culture so didn’t much care, but it’s nice that the park is getting a high-profile opening.
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(photo courtesy disneyfoodblog)

The evening sets were nice because the sun wasn't beating down and there was a breeze, but it was still very hot and humid. We had a few logistics snafus because this was the "gala" portion of the evening, and several food stalls were set up in our performance space that had to be moved. Still, this is all standard special event chaos. We did our set, and mostly got polite applause, but at that point people were too busy eating, drinking, and taking footage to actually interact with us.

We finished up just ahead of the fireworks, which was good because our land was in the fallout zone and they wanted us either out of the building or on lockdown by 9:45. I packed up quickly and got out of there, but enjoyed watching the Stardust Racers looping gracefully around each other, all lit up.

Here is the opening ceremony from the ground:



And I wanted to share what the lighting looks like with an aerial view as well. It's truly incredible!!
This person got test footage while staying in one of the hotels.



Whew. Long day! But it was an exciting privilege to be a part of a WHOLE NEW theme park's grand opening!
I was here from (almost) the beginning. We saw the Wizarding World being built around us. We have already spent more time in our part of the park than most people will in their lifetimes. Although my own experience is, frankly, overshadowed by the work I've found with Disney, it is still an incredibly special thing to be here in this moment. I have memories here that are an absolute treasure.

Although I couldn't find much footage of our trio by the end of the day, I'm sure it'll be forthcoming in the next few days. And tomorrow is the true Opening Day, when guests have full access to the fully open park for the first time. This park will change the theme park scene in Orlando--and possibly across the country--forever.
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(youtube screenshot)

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Thursday:
Day off. I'm returning my trombone mutes, resting, and preparing for a VERY CHAOTIC DAY at Epic Universe on Friday.

Friday:
Work at Epic. Thoughts and prayers because it'll probably be batsh*t insane.

Saturday:
Orlando Fringe with Jameson and friends!!

Sunday:
Day off and I suspect I'll need it.
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Monday, up early again for transcription. It was raining hard and looking like an all day rain, which is wonderful as we've been in a drought.

I transcribed and had breakfast, then shot over to Walmart for cough drops for Jameson and some special ice creams that we've been waiting to appear on shelves! Pop Tart ice cream sandwiches, and Butterfinger bars!
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We have also been waiting for Rice Krispy Treat ice cream sandwiches and Eggo Waffle ice cream, but those have not been forthcoming yet :p Ah, it's good to be bad!

Back home to show the haul to Jameson. He was in the process of getting more info from Disney about his new job. He'll receive a work-only cell phone and a work laptop, his choice of Mac or PC. They are also working on setting up a music studio for his use. How official! How awesome!

The rest of my day was just plugging away at transcription. I was able to get most of it done, but even with going at it for 6-7 hours today I'll still have to spend 3 hours on the review and edit tomorrow. Argh. Didn't get to go for a walk or practice or plan dinner. We ordered taco salads and tried the Butterfinger bars. They are very good and were worth buying.

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Tuesday, up at 6am to finish transcribing and start the review process. I hate to get up so early on one of my few days that I COULD sleep in, but there is so much that I should be doing BESIDES transcription, and I need it out of my face.

So, coffee and an hour of typing followed by breakfast and almost four straight hours of poring over text and audio to catch errors. With breaks to pee and stretch and chat with Jameson, I finished it all at 11:30 and submitted the one job that's due 48 hours from now. The others I'll submit on one of the Epic days.

That out of the way, still a lot to do. To the grocery for dinner ingredients, then lunch. Packing meals for Epic, practicing for an hour, taking down my listings for my old trombone stuff and dragging said stuff out to the curb for bulk pickup tomorrow.

In the middle of all that I got a nice notice from LJ, about having won a year of professional service from participating in the LJ Birthday hashtag thing:

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This is very nice, and I'm grateful :)
Because I'm American and can't pay like I ought to, I'd hoped to win, and put significant effort into the entry.
Just wish that I could pay and not be a leech, and not have to worry about it!

For dinner I made us a buffalo chicken recipe from Half-Baked Harvest that Jameson likes a lot.
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He startled me several times today by laughing, humming to himself, openly smiling, and generally being chipper.
It's been so long since he's been actually happy about something that I forgot what it's like!

That makes me sad. But that's clinical depression.
Long-term. Hard to break out of. Always lurking, even when by all appearances things are going well.

He basically hasn't had employment-based validation since the pandemic.
And on top of that, his body has been betraying him these past few years (kidney stones, hernia, arm muscle atrophy and surgery.)
And on top of THAT, constant job rejections and interviews that led to nowhere.
All of this led to this depression in him, that has lasted for YEARS.

Like Jameson, I also get a lot of personal value from my work. Unlike him, I can glean validation from most any TYPE of work as long as it's useful to society OR I am appreciated on some level by bosses and colleagues. But Jameson has specific expectations of himself, or needs more specific validation...I don't fully understand, I just know that he needs something that he hasn't been getting since 2019.

For now, I'm grateful to have The Real Jameson back for a bit. I hope he sticks around longer this time :)

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Wednesday...

7 DAYS UNTIL EPIC UNIVERSE IS OPEN.


It seems like just yesterday we were crowding into orientation, excited and nervous, wondering how we were gonna memorize all that music, shocked that we were also being asked to ACT and do CHOREOGRAPHY. In just a few days this park will be officially complete and open; the rehearsal period will be over, and a new phase will begin.

It's been an amazing journey. I'm so grateful to be a part of this massive, exciting new theme park!!

---    ---    ---    ---    ---   

I drove straight to Epic and practiced bass trombone.

Right as I was wrapping up, Jameson sent a picture of his official offer letter for the position of Producer with Disney Event Group. He'd gotten it, and a contract to sign, this morning.
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(this is the logo used at the top of his offer letter.)

Just a few hours after that, I received the American Federation of Musicians official contract for Beauty and the Beast.
Took a picture and sent it to Jameson. Signed it and sent it off.

Wow.
Life is SO STRANGE.

We are so, so fortunate.
Not only do we get to experience these monumental career highs...
...we also get to do it at the same time, and with the same company!!!

No matter what happens next, no one can take this moment away from us :)


---    ---    ---    ---    ---   

My day was normal otherwise. It was hot and sunny, we did all of our sets without the cart or Plume. The cart is supposed to be back with us by Saturday, so that's good.

Partway through the day Universal announced that they'll be livestreaming a special Grand Opening event on the night of the 21st, starting at 7pm EST.
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We knew that there was an event planned; I'd already been scheduled to work that day and was asked to stay and perform three additional sets for a bit of extra money. So I'll be there for whatever happens, though I won't get to see much because I'll be working. YOU can watch the whole thing, though! I hope whatever-it-is is really cool!!

Additionally, I got a detailed route sheet from Beauty and the Beast. It's a document that shows which hotels we'll be staying in on tour, whether we'll be taking buses or flights between cities, and other small details like rehearsal days and some venue info.
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I need this info to complete my Foodie Finds, but also to help plan whether or not to take buyouts and book my own travel or housing. And also, receiving this kind of detailed info really locks you into a tour; they only give it to people who WILL be traveling with them. It's a huge security risk otherwise. So, all of this makes everything REAL. It's really happening! I know I keep saying that but it's been so hard to believe without a scrap of paperwork.

(Regarding tour buyouts: When on tour, the production company books hotel rooms for the entire traveling company, but sometimes people want to visit with relatives, save money by pooling on an Airbnb, rent a car instead of riding the company bus, etc. To accommodate this, the company offers what's called a buyout, where you let them know that you want to book your own shit in X city and they give you the money that they would've spent on your housing or travel. It's really convenient!)

There are a few things in this BATB info that tells me this tour will be different, in a good way.
One of those is that we MIGHT get our own storage boxes that will travel by truck!!
That means I could bring more than what fits in my luggage! What a luxury!

The other thing is that nearly all of the hotels are EXTENDED STAY.
That means REAL REFRIGERATORS!!!!!! OH MY GOD!!!!!

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Thursday:
Another day at Epic.

Friday:
Jameson and I celebrate our career success with a day at Hollywood Studios!

Saturday:
Lots to do, but hopefully catching a little bit of rest too.

Sunday:
Day with Disney and the Main Street Phil :)
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Finally, I can share:

I will be joining the all-new Beauty and the Beast national tour!!
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Cities list and tickets will be
HERE for anyone interested.

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I think most of you kind of knew about this already because it was so hard for me to keep my mouth shut haha.
I was offered the trombone chair way back in December!
Today a casting announcement went up, so it’s finally public :)

Australian promo video. The show premiered in the West End and is now in Australia through July.
This is an all-new edition: new costumes and new orchestrations!



I want to explain a little bit why this tour is different from others I’ve done.

Think about The Lion King.
It's both on Broadway in New York, and on tour.

The Lion King national tour has been running for 23 years.
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(image courtesy London Theatre)

I don't expect BATB to run for THAT long.
But the schedule that I was handed goes at least to 2027.
It DEFINITELY has the potential to go for years more.

Additionally it's a union tour, produced and managed exclusively by Disney.
That is a higher production value--and pay scale--than any other tour I've ever been involved in.

And finally, if they like my work, there is so much potential to be called for even more Disney musical opportunities. On tour, internationally, AND on actual Broadway in New York City.

Hercules the Musical is currently opening in the West End.
There is a Tangled musical being written right now.

You know?

I promise, I am not just playing this up to be a big deal.
It IS a big deal, for any musician.
It is potentially life-changing for me.

---    ---    ---    ---    ---   

On one had, I am very intimidated and terrified.

Most of these people have never heard me play before.
What if I'm not good enough?
There is a layoff right away in Chicago in July.
They could easily replace me at that time if they don't care for my playing.
Of course I can't control that, and worrying about it accomplishes nothing.

To be asked to perform with a tour of this level is currently the biggest accomplishment of my entire musical career.
Terrified and worried about it as I may be, every day I remember:

They could have asked anyone. And they asked me.

And THAT has already been given, and cannot be taken away from me.

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Warning: at some point I'll probably write a really sappy navelgaze post about all the struggles and hardships, the experiences and relationships and connections, that ultimately got me to this point in my career. But for today, it's enough to say that I'm gonna get to play Beauty and the Beast!!
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I was awake too early on Thursday. Not sure why. Generically anxious, I guess.

Breakfast and messing around online until Jameson got up.
His Disney interview was at 10, so I busied myself with quietly dusting and packing meals for tomorrow while we waited. During his interview I eavesdropped a bit...it sounded fairly "normal" but he had headphones on so I couldn't hear much. It about 30 minutes and he said all of the questions were exactly the same as ones he's been asked by Disney Corporate in the past. This makes me a bit annoyed and sad, but then again, what are they supposed to ask? What new information could they be looking for? This is probably Jameson's 7th or 8th interview with Disney, with the same questions asked, again. Will anything come of this one?

He's supposed to hear back in about two weeks. Fingers and toes crossed, but we are both past the point of keeping our hopes up about these. It's great that he's getting these interviews, but they seem to be just toying around, and it's very frustrating. He needs a new job.

I practiced bass trombone, ate lunch, went to the store for secret Easter treats (ssh!) and a few nice things to get me through these busy days. Specifically, Cracklin' Oat Bran. You'll probably laugh but I swear to God, this cereal is essentially miniature oatmeal cookies. They're one of my absolute favorites, especially soaked just slightly in some sort of non-dairy milk to make them soft. Ugh, so gawddamn good!
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(wikipedia photo)

Back home I did nothing important, just made tea and downloaded my raw genetic data from 23andMe since they're going out of business.

I SHOULD be planning dinner. I SHOULD be practicing tenor stuff. I SHOULD be learning civil court transcription.
Instead I nearly fell asleep watching TikTok on the floor.

Well...as an adult, that's my prerogative I guess.

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Friday, a day at Epic but it was NIGHT rehearsals, ooooOOOOoooo.

Really, just the same as usual except that I didn’t have to get up at 5am! Which meant I actually had time to DO THINGS before work. After Jameson went to the gym I practiced bass and vacuumed and spent 30 minutes doing “Phillipa Hair.” Left a bit after Jameson got back.

The first three sets were hot, being in the middle of the day, but we had good crowds.

For the evening sets it was beautifully cool and we had GREAT crowds because it's so much easier for people to stand and watch a show without the sun beating down on them! I found out tonight that we're averaging around 90 people per set, and that's during normal daytime sets. I think that's pretty good considering we're just an "atmosphere" band without an actual stage or anywhere to sit.

And for us the performers, it was so nice to not be distracted by sweat soaking our clothes or the sun stabbing us in the eye while we try to play an instrument and smile at guests. Night shows are pretty great!

The other thing that I noticed during these lovely nighttime sets was some people out there with professional camera equipment. I guessed (rightly) that we had some actual freelance photographers with us, and made sure to stand still more often to aid in some decent shots. Not for ego, but because any media taken of me can be a part of my resume. My portfolio is entirely made up of live performance media.

Later I interrogated some of the ladies in our Ministry of Magic dressing room to discover local photographers who do theme park work. They graciously gave me some names, and lo and behold the very next day one of those accounts shared photos of us!

These are from @motley_joey on IG. Excellent, high-quality shots of our performance.
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I am especially grateful for these two headshots.
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Additionally, some photos from one of our show techs, Tiffany:
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And finally, one of the wizarding students (her name is Ashley and she's an actress) went to the trouble of getting into plainclothes and taking photo and video of our set!

Here is the video snippet. Love it! I can't wait to someday have a whole set to share with you!



Here are some of her photos. I really like a lot of these and wish they were higher resolution. Thank you so much Ashley :)
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Seeing Place Cachee at night was lovely, though we really just had dusk, not true night.
I do hope that we end up doing some night sets once the park opens, it's a very nice vibe.

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Saturday was when I dredged up all of these photos. Making social media posts, updating my LinkedIn and YouTube playlists/portfolios, and responding to people commenting on all the media took up pretty much the whole morning.

I had been supposed to meet up with Ilian of Morningstar Mutes for lunch and to check out some mutes, but for one thing he didn't have any of his new models ready, and for another I decided to back out because of my unexpected Disney day tomorrow. Performing outdoors is a lot of steps and a lot of energy, and I am not that young anymore, so this was mainly a self-care choice to have a buffer day.

Groceries, packing lunch and dinner for Disney tomorrow, practicing bass, and relaxing for a bit while Jameson was out day drinking with friends. He messaged me while he was on the way home so I could start cooking dinner. I'd had the good fortune to find a place just a few miles from us that sells Amoroso hoagie rolls direct from Philadelphia!! How unlikely! So I made us Philly cheesesteaks. Tried to keep them as authentic as possible but added mushrooms (that's not inauthentic, just less common) and used American cheese slices instead of cheese whiz. They turned out quite excellent and I'll keep that recipe on file, and gotta remember those hoagie rolls the next time I do po'boys too.

That was it. Pretty chill day and I was grateful for it.

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Sunday, up earlier than I wanted to be for breakfast and the commute to Disney.
I like to get there a bit early to try for better parking, and to have time to get changed before the guys arrive too.

Had a pretty basic day, although I got to learn firsthand why my boss was so reluctant to have me learn multiple trombone parts this year. Harry, another sub trombonist who has learned both the first and second trombone parts, accidentally started doing the first part's choreography halfway through our Encanto medley. I'M the sub for first trombone, so this left me in a really awkward position in the middle of a live performance! I basically had to guess where the second trombone would probably move or stand, and just do that for the rest of the set. We got through it but boy was that awkward. He apologized and I wasn’t mad, I might’ve done the same thing (ok I CERTAINLY would have, I’m a putz) but it made me realize that the risks of too many people knowing too many parts. If TWO people ever got confused at the same time, it could wreck a show.

Anyway, otherwise normal and a nice day with the guys.

Also, for the first time today Epic Universe has overlapped into my Disney workplace!
I saw an employee wearing a Nintendo World Bowser backpack in the Utilidors.
And I overheard more than one conversation about rides, attractions, and food that people want to check out.

There is a misconception that working for Disney AND Universal is a Coke-and-Pepsi situation.
I have even alluded to that, as a joke, in this blog.

It is not like that at all.
Many, MANY people work for (and love!) both parks.
 
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If either park were to enforce a non-compete on it's employees, it would instantly lose AT LEAST half it's work force.
It's kind of interesting to consider how these competing theme parks are linked by their shared work force, imo.

There are some die-hards for either park, of course, and especially at Universal I've met a lot of people who are passionately anti-Disney either because they love Universal sooooo much, or because they had a bad experience working for Disney. Still, few of the employees who work for both parks would actually badmouth "the other park," whichever park that may be for them.

Eh, just something that I was thinking about today.

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Monday:
Rehearsal for "Steamboat Lillie" 1920s-themed Disney band. I'm nervous!

Tuesday:
Day at Epic.

Wednesday:
"Steamboat Lillie" performance.
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Up very early again for Epic.

30 minutes to do the hair. I am pretty annoyed because I just got it cut on Monday, and they did not cut it short enough to avoid a potential bun, so now I have to pay to get it cut AGAIN. I've written in this blog many times about never being able to get a good haircut, and once again here I am with the simplest ask in the world--"Please cut it 2 inches shorter"--no special layering or styling or anything--literally just remove two inches of hair--and it's like I've asked for the stylist to bring me the sun, moon, and stars on a platter. I got home and tied up my hair and had to ask what the hell I'd just paid for. Maybe I should invest in a self-haircut 101 course, if there is such a thing, because I am tired to death of the scam that is hair salons.

Anyway. Breakfast and off to Epic.

We had our prop for most of the day...it broke once but in a fixable way, so we only had to do one show without it.
There were good crowds, and we saw Mariah (trombone) with her boyfriend, and I was surprised to see some Main Street Philharmonic people and other musicians that I know around town, who texted later to tell me how much they'd enjoyed our show and to explain that they have spouses or other family working at Universal (hence how they were able to get in for previews.) It was fun to see familiar faces out there :)

Curious to see what people think of the new park after their previews? Reddit thread HERE (Mild spoilers, nothing to ruin a visit.)

The strangest part of the day, for me, was being contacted by almost every single employer/gig on my roster!

Transcription job wrote to say there's a hold on government court cases, and would I like some civil cases instead? Sure, I said.
Easter gig sent more music, and the coordinator asked me to pick up some music from her and bring it to the gig.
My Main Street Philharmonic boss texted to try and get me to fill in as an emergency (literally within the hour), and I had to say no.
An all-female Chicago tribute band that I'd signed on with and completely forgotten about messaged to send music and coordinate a rehearsal.
My third party boss for Epic wrote to offer reimbursement on the junk trombone I bought, if I'd create him an invoice.

And the coordinator for the Steamboat Lillies (usually known as the all-female band Hourglass) sent more music, and put up an ad for our gig which I promptly shared.
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In fact the only job/gig that I didn't hear from today was the tour, but I heard from them just yesterday!

Did the stars align in such a way that compelled people to communicate today, for once?
I love it! If only people were this informative and on top of communication ALL the time! :D

Partly because of this bombardment of music and scheduling, and partly because I felt it was the right thing to do, I cancelled my bass trombone lesson this evening. I couldn't picture Will and I doing anything except the same handful of exercises I've been half-neglecting while all this tenor trombone work rolls in, and also felt I'd be distracted thinking about how I need to practice all the new music I'd just received. Didn't want to waste Will's time nor mine. We can resume again on the 17th, after the busiest week in April is out of my face.

Back home Jameson was out to dinner with friends. I washed myself up, changed our sheets, downloaded the new music, made the invoice for my boss, and practiced bass for about an hour, then crashed. Dancing around in 90F / 32.2C weather drains you quickly, no matter how much water you drink.

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Slept poorly and was up too early, but enjoyed the quiet time to myself anyway.

Once Jameson was up and off to the gym I practiced bass trombone for an hour and ran a few small errands before lunch, then after lunch got my stupid hair cut a stupid second time. This time walked in with it up in the ponytail already and showed exactly where I wanted it cut, and she just angrily lopped it off. So now it looks ridiculous, like a little squared tassel, and no shaping at all was done so it looks terrible when it's down as well.

Whatever. I clearly have bad hair karma, and there have been so many bad cuts at this point that I can't afford to expect a good outcome anymore. I can still tie it back and it's certainly not long enough for a bun, so mission accomplished.

I was supposed to practice tenor trombone in the afternoon but felt tired and unmotivated. It's probably because I'm not looking forward to the Steamboat Lillies gig any more...seeing that EVIL JAZZ IMPROV in my part was a big turn-off. I can't tell you guys how much I hate improv, I find nothing enjoyable about it at all and feel like a fool every time I attempt it. Well...at least the other 80% of the gig should go just fine!

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Saturday was my preview day at Epic Universe, and it was absolutely wonderful!
So much happened that I decided to make that it's own post, which you can read HERE.

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Sunday, I was up early to type up that massive Epic Universe blog post. Uploading photos, resizing them, embedding videos, adding links, and remembering how the day went sure does take a lot of time and effort! In the process I found many lovely clips and footage of Place Cachee Jazz featuring Mariah (trombone), Adam (trumpet), and Adrian (clarinet).

Here is a 6-minute clip of our show:



After Jameson got up and around we went to Publix together.
Back home putting groceries away, doing laundry and running the dishwasher, eating lunch, packing for Epic tomorrow, and darning my Chain Chomp shirt because last night I'd found a hole in it!! It was such a clean cut that I think it must have happened when an employee was cutting the merch box open. Jameson suggested that I take it back, but I can't go to the other worlds while working so I'd have to ask a Universal employee to go all that way and switch it out for me. I decided it'd be easier to sew it up myself. I watched a YouTube video and it seemed easy enough...and it was! Except...I wasn't paying attention, and did it backwards, so the bulge-y part was on the OUTSIDE. Lol! I don't mind, you can barely see it anyway and it'll be a cute reminder of this moment :)

Practiced bass for an hour but once again couldn't drum up the motivation to practice tenor.
My plan now is to practice things during the breaks between Place Cachee sets at Epic. We'll see if this actually happens.

The rest of the night was quiet. Jameson made us hot dogs on the grill and we watched anime or gamed respectively.

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Monday and Tuesday:
Working at Epic Universe. I wonder if anyone will record our shows? I hope so!

Wednesday: Subbing in at the Magic Kingdom.

Thursday:
A "day off" that would have been a lesson with Will, but he's got surgery so we've cancelled.

I'm also supposed to be learning how to do civil court cases for my transcription job, but add that to the list of things I'm unmotivated to do right now.
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The preview day that Jameson and I selected for Epic Universe was Saturday April 5th.

We got up a bit early and fought traffic to the guest parking lot.
(This is one thing that still badly needs work...it took us 20 minutes to get into the lot from less than a mile away, and the park isn't even open yet! I really hope they add more access points soon.)

As we were parking, my WhatsApp started pinging. It was my Epic Universe group chat.
The photo/media ban had been lifted! We were allowed to take pictures and video!!
And here I was pulling up to the park, ready for a full day of seeing it!!


I've never had much luck with money...but BOY do I have good luck with life experiences!!

As we were walking to the Chronos portal, parking employees and security guards and EVERYONE was shouting to guests, "The photo ban is lifted! Take pictures! Take video!" One even screamed, "Someone, take a photo of meeeee!!!"

Everyone has had to keep quiet for SO LONG. It's hard! I think we are all relieved and excited to share what we've been working on all this time!

The Chronos portal, the entrance to Epic Universe, and my first photo of the park!
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We walked in and were in Celestial Park, which is the hub where all the "world" portals meet.
Here there are gardens, lots of food options, rides, and kiosks for future shops (most of which are still closed.)
It is a very beautiful park, and has been well-documented already, so I didn't take many photos here.
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(stock image)

The primary ride offerings are the Stardust Racers coasters, and the carousel.
We watched the coasters for a while...they are beautiful to see, and I've heard that they're one of the best coasters Universal has ever done. I can believe it. The carousel was running, so we rode that. The animals are not attached at the ceiling, which makes for a really cool effect and you also go up higher than expected! The animals are all based on constellations. It doesn't move in a plain circle like a traditional carousel, either, and that was surprising and fun.

CLICK HERE to see my footage of riding the carousel


We continued to the Wizarding World / Ministry of Magic portal, because we wanted to grab a drink and catch my show's set before seeing the Circus Arcanus show.
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It was such a cool thing, to walk into this park as a guest for the first time.
Looking around...there was where we rehearsed for 3 hours one day because there were paint fumes where we normally rehearsed. Here's the wall I watched someone "age" for a week. There's the shop where we got to watch a magical creature animatronic being installed. It is truly such a special thing to have seen a theme park being built from the ground up!

Anyway, we first stopped at Bar Moonshine for a fancy cocktail featuring absinthe and limoncello (no idea what else was in it but it was delicious!)
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I could hear my group performing outside, so as soon as we had our drinks we rushed out.

For the first time: meet Phillipa, Chandler, Jules, and our puffskein named Plume!!!

CLICK HERE for footage of the band performing!


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(video and first 2 photos from Attractions Magazine, last photo from me)

I am SO GLAD that we don't have to hide our show any more!!!

These three (Mariah as "Phillipa," Adrian as "Chandler," Adam as "Jules") are "the PR Trio" that I've been talking about.
They're the three who are chosen to perform any time there's a PR event or Warner Bros. execs in the park. So of course they did an amazing job today!!

After they finished I was gratified to see one of our stage managers take a group photo of them and immediately share it on LinkedIn. The media ban is INDEED lifted. Hooray!
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(photo courtesy Brendan)

Soon, I'll have media of my own performances to share! How exciting!

We finished our drinks quickly and queued up for Cirque Arcanus.

Jameson in the queue. The theming of the queue gave us both a bit of nostalgia for our time with Ringling Bros.
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The show was, once again, mind-blowingly incredible.
I'll say it again: if you get a chance to visit Epic Universe, this show is a MUST. Make time for it in your itinerary.
The level of performance, and staging technology, happening in this show, is going to change the entertainment industry.

We explored some of the Place Cachee shops and mentally bookmarked some things that we might want.
We visited Cosme's wand shop so I could show Jameson the circus Ringmaster's wand, and introduce him to Cosme herself (all of the Place Cachee / Ministry of Magic performers share break rooms and dressing rooms, so I see all of the Cosme performers, Aurors, Exchange Students, Living Portraits, and Circus performers, EVERY day!) Cosme has a custom wand, and showed it to Jameson, that was super cool :)

We then used my wand to cast a few spells around the park, getting a niffler to drop it's horde of coins and making some musical instruments move around in a shop window!

From there we entered the portal to Super Nintendo World.
The last time I was able to go, the park was still heavily under construction. This was my first time seeing it complete!

CLICK HERE to see the portal to Super Nintendo Land courtesy Attractions Magazine

We saw that Mario and Luigi were out for a meet-and-greet, and only had to wait about 10 minutes for that!
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We explored the gift shops and saw LOTS of things that we wanted, but managed to narrow it down to a few things haha.
Since it was about lunch time we decided to eat at Toadstool Cafe.
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(stock image)

The theming in there is absolutely adorable. Every once in a while Bowser's flying battleship floats through and the lights dim, things become ominous, ADORABLE, then it moves on and the Mushroom Kingdom continues going about it's business :D

All of the restaurants in the park, by the way, are self-serve, which is SO MUCH FASTER.
There are QR codes at every table. You scan them for the menu, pick what you want, order it, and pay.
Done. No waiting for the check. No hoping your server heard you say "No mayo" above the racket. You just eat and leave when you're ready. We absolutely loved the convenience of this throughout the day!

Anyway, We got a bunch of foods to try!

Jameson had spaghetti and meatballs. I tried his meatball and it was delicious, tender and with a little bit of spicy heat (not too much, just barely noticeable and very tasty!)
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(LA Times photo)

I had the chicken Caesar salad, which I realize is "boring" but A) look at the adorable Super Star plating! B) I knew we'd be eating A LOT today so tried to at least be slightly healthy here lol.
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Mushroom-shaped "garlic knots." Very tasty!
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Our dessert, a Question Box tiramisu. The question box was shortbread cookies, and inside was an absolutely decadent and delicious tiramisu. We enjoyed it very much, and it looked so cute!
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We decided to walk our lunch off at Berk.
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(stock image)

This is the only park I'd never visited during construction, so I was very excited to see it. It did not disappoint! The theming is immersive and adorable. It's a land definitely geared toward a younger audience, but it is also beautiful and there's lots of people of all ages to enjoy. We tried to ride a Viking water boat ride/shooting game, but it broke down while we were in queue so we ended up bailing. Then we queued up for a Toothless meet-and-greet, which was going smoothly until a huge crowd of INFLUENCERS showed up with media passes and bogarted the line (-_-#) What started as a 15-minute wait became an hour.

But we consoled ourselves with the knowledge that once the park was open, the wait would be at least 2 hours long, daily. Not only that, during previews meal and merch prices are HALF OFF. There were only about 11,000 people in the entire park, across all the worlds. Every queue that we were in, every experience that we enjoyed today, was EXCEPTIONAL compared to what paying guests will have to endure. We made very sure not to EVER forget that, and be appreciative even while waiting!!

Finally, our patience was rewarded :)

CLICK HERE to see our meet and greet with Toothless!

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As you can see from the video, the level of expressiveness and interaction from Toothless is astounding. I know that he is controlled by a puppeteer, and also some of his sounds and expressions are controlled by someone with an iPad somewhere. Seeing al this artistry and tech come together in this experience was absolutely wonderful. We got to see several small children interacting with Toothless, and you could tell...they completely thought he was REAL. It's going to be a very memorable experience for kids and their parents, that's for sure.

We saw lots of other cool interactive tidbits throughout this world, including an Astrid and Stormfly meet and greet, and several fun statues that would move or make noise if you turned a big wheel at their base. I'm sure loads of footage will be forthcoming...we didn't take as much footage here because of all the media/press swarming around while we were in this world. I felt silly with my little phone while surrounded by people wearing stabilizers and high-fidelity mics and thousands of dollars-worth of media gear. Let them document this for you :)

We entered the Untrainable Dragon stage show. You can already see this show in its entirety on YouTube because it's in Universal Beijing. Jameson had seen it before, but I hadn't. Again, the technology and puppetry, animatronics and acting and staging, all made for an incredible show! In my opinion the Circus show is still "the groundbreaking one," but this show is also extremely impressive and well worth seeing if you can stand the wait.
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(stock image)

We wandered Berk a bit looking for the Mead Hall, yet somehow couldn't find it? Not sure what our problem was haha.
From there we went to Dark Universe for a cooldown and a drink. The Toothless queue had been in the sun for nearly an hour, and the show queue hadn't been much cooler. Stepping into Das Stakehaus, we were greeted by blessed darkness and cool air :D The whole ambiance is to make you feel like you're underground, among twisted tree roots and coffins shifting in the soil of the walls. The lighting is reddish and dim, and it flickers every once in a while whenever Frankenstein's daughter harnesses the town's electricity for one of her experiments.

In other words, it's a VERY cool restaurant!
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(stock image. I'm sorry for all the stock images but I was far more intent on enjoying my experience than being an influencer!)

Jameson had a spiced beer, and I enjoyed a Darkthorne Mead which was a very tangy, sweet cider featuring blackberries, vanilla, and spices. Jameson took a lot of footage here for his mom, who enjoys all things spooky.

Outside the restaurant it is quite themed too. Some vampires on display:
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As we were rounding a corner we saw Bride of Frankenstein doing a meet-and-greet! Couldn't resist!
We had a big ol' philosophical discussion. She knew right away that I was a musician....I wonder how.... ;)

CLICK HERE
 to see our interaction with Bride of Frankenstein


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I'm kind of going out of order here, but actually the first thing we did when we got to Darkmoor / Dark Universe was try to ride Monsters Unchained. I was very apprehensive about it, but Jameson really wanted to try it so I screwed up my courage.

Nothing to do with monsters....EVERYTHING to do with MOTION SICKNESS.

The queue was incredibly themed and amazing to walk through, I'm sure there will be MANY spoilers soon (HERE is one of the ride.) The preshow is apparently amazing too...but we didn't get that far. Right before the preshow is a holding area where they show you what the ride will be like...yikes. I could feel the blood draining from my face as I watched the seats jerk around, sideways and around and nearly upside-down. Nope. Even just 5 minutes of that was going to be too much. Universal is known for using high-res screens and simulated motion to create an immersive experience. This is not something that my brand of motion sickness can handle, at all. Jameson and I looked at each other, then backed out, following the single-rider lane out to the gift shop.

I'm sorry that we missed out, but also, crisis averted. This was a definite case of "know thyself." Many other people will greatly enjoy this ride. For us, it would have ended the day!

We returned to Super Nintendo World to ride some rides we KNEW we could handle lol.
The Mario Kart ride was awesome! First the queue, which was themed to look like Bowser's castle study. The second part was a factory for the Bomber Bills and Bob-ombs, I didn't record that part. Bowser's study was great, I loved the titles of the books, the Bowser-sized furniture, and the little Boos floating around!

CLICK HERE to see my footage of Mario Kart queue


The ride itself uses Augmented Reality, which is just so incredibly cool and immersive. It felt like you were really in the game at times! There probably won't be many POVs of this ride because cameras won't be able to focus through the AR goggles. If you've played Mario Kart, it's very similar. Jameson got 117 coins, I won with 132! TAKE THAT MUAHAHAHAHAAAA :p
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(stock image)

We rode Yoshi's Adventure as well. It's meant for little kids BUT is worth riding for the incredible view of Nintendo World. HERE'S a good clip of the ride in Japan, the one in Orlando is exactly the same.

We went back to the gift shops for the items we'd picked out earlier, then returned to Ministry of Magic for dinner.
Neither of us were deeply hungry, so we treated ourselves to butterbeer and butterbeer crepes.
I got to try the crepes during restaurant testing/rehearsal, but Jameson had never had them and he loved them.
Definitely one of the best dessert offerings in the parks!
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We cast a few more spells, including a kite shop spell that blasted air on us and a mysterious shop where a Demiguise apparated and then faded away. So cool.
We then walked the Ministry of Magic queue. The ride was not open (it's had troubles since day one), but the queue is so immersive, incredible, themed, and MASSIVE, you have GOT to check it out!

THIS Attractions Magazine footage is better than what I got, so check it out! Simply astounding.

We hit one more gift shop, then it was after 7pm and time for us to leave.

Wow.

Such an incredible experience, that we were grateful to have.
Being able to see and do as much as we did, without massive crowds and essentially for free/at significantly reduced cost, and with a fraction of the wait times, is something that will NEVER happen again in our lifetimes. This was an experience I'll never forget!!

Back home, I lined up our modest merch haul for a photo.
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Jameson got the Mario Kart magnets for himself.
He also bought me that Place Cachee picture frame shaped like the Phoenix Arch. He got it so I can put my first decent show photo in it. This was so thoughtful and sweet! I can't wait to find a good photo for it!

For myself, I got a Chain Chomp shirt and a matching Chain Chomp enamel pin (Jameson saw it at the register so I HAD to get it lol)
The Japanese text says "Wanwan," that's what Chain Chomp was originally called. "Wan wan" is the sound of a dog barking.

My wand is pictured just because I've shared it here in Friends Only posts, but not in public ones (I think.)
We also kept our Bar Moonshine cups as a sort of souvenir.

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I know I've said it like 80 times but this was such an incredible experience.

I know that the park will be packed and crazy and expensive the minute it opens. But in a year or two, if you have a chance to visit, I highly recommend it. There is no other theme park like it out there. Even with previews (not all rides working, not all restaurants and shops open) we had an incredible time, and this is going to be well worth a visit for anyone coming to Orlando.

Thanks for following my journey of working for Epic Universe, and getting to experience it!

Starting today, there will be LOADS of footage of the entire park.
The jig is up, the secret is revealed!

I cannot wait to work in coming days and see footage of our show popping up!!
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Monday, up at 6:30 to finish my transcription job. It did turn out to be an interesting one, but I can't really share details. The person applying for asylum in the US was Russian, and that made it interesting.

Then breakfast and some errands. Got my hair trimmed because it's getting long and I don't want any more flak from Epic about whether or not I should have a ponytail. If I keep it too short for a bun that settles the issue.

Next, bagels for the week and Walmart for dish soap and wet wipes.

Back home Jameson was at physical therapy so I cleaned our bathrooms, ate lunch, and practiced bass.
I finally got through the whole Australian-tour-music-trombone-part, making some new timestamps for practice purposes along the way. Finally playing through the whole part was...emotional. Without sharing what show I'm doing (STILL, omg could they hurry up with casting so I can spill the beans!), the music has a huge emotional connection for me. If I'm getting chills and tearing up just from practicing the stuff, I might actually CRY the first time we perform the show. Note to self, bring tissues to the pit...

That playthrough actually took a large chunk of the day. Had a snack and rested while Jameson worked.
Today was the last day of March. April is about to be extremely busy for me, and temperatures are climbing here in Florida so outdoor work is gonna become harder. I am trying to extend grace to myself, to rest and sit still for 1-2 hours on days when I CAN.

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Tuesday, up at 7 to review transcription and send any questions to my supervisor.

Jameson left for the gym, and I

     - picked up dinner ingredients
     - practiced bass trombone for an hour
     - ate lunch
     - packed meals and clothes for Epic
     - practiced tenor trombone.


I have two new tenor gigs coming up, one of which has jazz improv, EEW, so I will have to work extra hard on it. Urrrrgh that was not a fun practice.

After that I was damn tired so hopefully it's excusable that I rested for an hour before prepping dinner.

Dinner was "Moroccan"-seasoned chicken thighs roasted on a sheet pan with sweet potatoes, cauliflower, carrots, and onions, then garnished with pistachios, cranberries, pomegranate seeds, cilantro, and feta cheese bits. Drizzled with a lemon garlic yogurt sauce. It turned out quite good, next time I will cook the veg and chicken on two separate pans so the veg can crisp up a bit more but otherwise no complaints.

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(stock image from Ambitious Kitchen)

Tomorrow, back at Epic to dance around in the heat.
It feels like forever since I've done an Epic show...hope I remember everything!

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Wednesday, up at 5:30. Coffee and spending 30 minutes doing my hair in the way that they want, then breakfast and the long commute to the park. I remembered how to apply the makeup at least.

Waiting for me was this cute puffskein keychain! Mariah (trombonist) found them in one of the shops and bought a bunch. I Venmo'd her. Honestly not sure where this little guy will live, but he was 50% off with the Universal discount and he'll make a nice memento of our own animatronic puffskein who performs with us, and whose name is Plume.
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We finally had our prop back, including Plume, so I had to remind myself what the script is like when we're interacting with our puffskein. It wasn't hard; that script was DRILLED into us during rehearsal! 

It was a hot humid day, but all of our shows were well-attended. I remembered to hydrate and cool off between shows. Since we third party employees are allowed to enjoy park previews this week, we saw several people we knew throughout the day and that made the shows even more fun than usual :)

After work I braved traffic for Whole Paycheck, but the hot bar was picked over so I got sushi instead.
Back home I did not at all feel like practicing, so instead packed breakfast, lunch, and dinner for tomorrow, and packed everything I'll need for my bass lesson (I'll have to go straight there from Epic), downloaded my 23andme data since apparently they're selling customer info to someone I don't know, and enjoyed watching some anime.

Oh, and the music coordinator for the tour I'm doing texted to ask for my musician's union info!
My hopes are up that we might get some paperwork soon, oh my goodness!!

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Thursday:
Performing at Epic, bass trombone lesson.

Friday:
Day off. Maybe more transcription? Practice, chores, errands, blah blah.

Saturday:
Jameson and I get to go explore Epic Universe!!!!!!!!!!!!!!!!!!

Sunday:
Last day off for a while, so I'll likely use it to chill.
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Monday was a "day off."
I was supposed to be at Epic, but someone somewhere messed up our schedule and we ended up with two PAID days off. Whee!!

Jameson was up early for physical therapy, so I got up early too to finish transcribing.
I started off strong but after Jameson left I decided to vacuum, dust, touch-up clean the shower with bleach, then finally bit the bullet and went shopping on macofalltrades.com for a refurbished iPad.

I use my iPad for most gigs. Musicians can easily airdrop music PDFs to each other, and it's easy for me to upload big Dropbox folders to ForScore. Right now I have all of my Disney music on my iPad, plus my Easter gig music and Steamboat Lillies gig music, all of my bass trombone stuff, and a load of show music and ancient Real Books that I don't want to lose.

My iPad is an ORIGINAL iPad Air! It's so old that there have been no updates for it for a long time, and I have to keep it in Airplane Mode otherwise it will freeze up. But lately it's been freezing up anyway, and the battery barely lasts a full day anymore, and I can't even sell it on trade-in because nobody will buy it. Time to ditch it before it crashes and I lose everything.

Anyway, spent $$$ on a 13" Air, and was trying to go back to transcription when I got bombarded with texts from one of the musicians on the upcoming tour I'm signed with. She was having a freakout just like I had a few days ago!

Had I heard anything new?
Why don't we have music yet?
Have I tried reaching out to anyone?


I was delighted to hear from her! See, I'm NOT an overreacting Karen after all! Three months IS far too long to keep your employees in the dark, and I'm not the only one who thinks so.

I was able to share with her all of the legwork I'd done recently, and though there was little to show for it at least there was the text from the Music Coordinator saying that I'm "confirmed" on Thursday. After chatting with her I also decided to message the trombonist who's currently doing our show in Australia to ask him for a pdf of my part. I didn't want to have to do that, but feel like if we musicians don't scrounge these parts ourselves, we won't see them until a week before the gig when management finally gets around to it.

After that it was time for lunch, then I had to cook some beef I'd thawed, then pack lunch and dinner for Disney tomorrow. Then I FINALLY got back to transcription, but it just took so much longer than usual...it's a different type of case so there was a lot of terminology that I had to look up because it was new to me. This is why you can't assume a shorter case will be easier.

Somewhere in there, my "church eggs" arrived from Zimmerman's in Pennsylvania!
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There were 18 eggs in total (I'd expected 16) and there were supposed to be 2 or 3 of each flavor from 2 different churches.
Somehow we ended up with 8 peanut butter eggs, 7 coconut eggs, and only 3 buttercream eggs (which is a big shame because those are my favorite!), and from 4 different churches to boot!
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I am definitely NOT complaining! What an adorable grab bag of eggs. The woman gathering the eggs for me had sounded excited and flustered over the phone, so I think she lost her mind a little bit and just started throwing eggs in the box :) I was impressed that they all arrived intact, and after a bit of time in the fridge to firm up they'll be ready to enjoy. I made sure to write the store a good review on Google. This is the first time I'll have real "church eggs" for Easter since I was a little girl, and I'm so grateful that this person was willing to send them to us.

Even after dinner I had to continue transcription, but finally completed it (there is still the audio review to do, sigh.)

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Tuesday, rehearsal day at the Magic Kingdom!


For a rehearsal day, I'm not filling in for anyone, so the day is based around any music that needs to be worked on or any practice that I want to get in on any aspect of the gig. We start with a 10am play-through of lesser-used pieces. Today we had two new ones which our boss wants to incorporate into the parades, "Heigh-Ho" and "You Can Fly." They were quite easy and after the play-through I decided to focus on memorizing them by the end of the day. I more or less did that (will have to solidify it in my head over the next few days), then went up to watch one of the band's sets, then filled in on the second parade for Keith.

I used the lunch break to practice bass as well, and that was very nice! Will was working today, so he kindly gave me pointers...I essentially got a free lesson!

After that, I decided to have a Small Adventure.
I've never walked the whole of the Utilidors below the Castle before. Why not give it a try!
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(photo from pinsacrosstheworld.com)

The Utilidors are one big loop around the castle, probably about a mile long, with a central corridor cutting directly under the Castle. Also, did you know that guests can tour the Utilidors? It's called the Keys to the Kingdom Tour.

Anyway, I walked for what seemed like a long time but was only about 10 minutes. Did not see much except the utility tunnels, storage areas, a lot of engineering rooms, lockers for custodians and other types of essential staff, and lots of signage telling you where you were and where you were headed. There were some boards with general announcements, about castmember events or health screenings or what-have-you that you might see in any workspace. I reached the midpoint/corridor that slices below the Castle, but passed it and kept going.

This next part of the circle was much the same as the first, but part of it broke off into a sort of attached rectangle with some interesting offices, like Retail Merchandise Design or the fire alarm control systems for the Hall of Presidents. Here is where I found a huge chunk of hallway devoted to rare enamel pins! Specifically, hidden mickey pins.
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(sample photo)



Hidden Mickey pins are NOT sold in the parks.
They are given to employees to give to guests during pin trades.
Since they are harder to get than the regular pins and a limited number are released each year, they are rare and highly collectible. And apparently, under Cinderella's Castle in the Utilidors, they keep the last several years' worth of hidden mickey pins on display!

I'm sorry I couldn't take photos, but rules is rules.

Additionally, there were many old black and white high-def photos of Walt Disney. Walking around the park, meeting with developers, waving to guests, hanging out with costumed characters, stuff like that. One of the funniest things about these photos is that Walt smoked, and was often holding a cigarette or cigar when these photos were taken...but in most of the photos they've been edited out!! I did find one, however, where he was holding a cigar :)
disney_hed.jpg
(photo courtesy Snopes. I couldn't take a pic of the one I saw, sorry.)

There was other stuff too, little memorials to Disney's Fire and Police/Security staff, and some blueprints and robotic parts for Tiki Room birds, stuff like that. I'm really glad I went exploring...there were some MAGICAL things to be found in the secret tunnels under the Magic Kingdom!

I left before Flag Retreat, ate dinner in the car on the way home, and caught up with Jameson before buckling down to set up my new iPad. Look how much bigger it is than my old one! I can't wait to be able to SEE my music!!
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I transferred all of my music PDFs and ForScore files over...and just as I was doing that, the Australian trombonist who is currently playing the new version of the show I'm gonna be on, sent me a PDF of his book! Awesome! I can't wait to get started on it!

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Wednesday, finished my transcription job and sent it, then continued working on marking my music (highlighting mute changes, writing in cuts and edits given in emails, bookmarking pages for quick access during practice.) After lunch, grocery for dinner ingredients. I didn't practice because the next thing I had to do was watch a bootleg of my touring show and add timestamps. Without an official recording to practice with, a bootleg is the next best thing, and with timestamps I don't have to navigate a 2-hour video to find the one song I want to work on. It takes a lot of time now but is worth it.

Dinner was butter chicken meatballs, which I've made before, served with brown rice and peas.
After dinner, blowing more money on a decent saute pan. I recently bought us a cheap one and got what I paid for, the bottom is warped already. And then a case for the iPad too. As though to make up for my money flying away, our scheduler for Epic wrote to say that he needed me to cover an extra day in April. Yay!

All that aside, a quiet night. Jameson has been in a mood lately because he's covering for his boss at work, plus doing a special project, and he pulled something in his arm and it's hurting him. And he hasn't heard back from the Disney job he interviewed for last week either. Again. As usual. I'm upset for him. I don't know how to help him.

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Thursday:
Lesson with Will. Misc chores and practice.

Friday & Saturday: Days “off.” Should receive more transcription work, will practice and cook.

Sunday: Disney day.
taz_39: (Default)
(It's Been A While Since I Did A DISCLAIMER: The viewpoints and opinions expressed in this post and throughout this blog are my own, and do not reflect the viewpoints or opinions of my employers, including Disney, Universal, Epic Universe, Warner Brothers, and any other parties mentioned herein. I take full responsibility for my own content.)

Thursday up early for Epic.

Started the day a bit cranky as often happens when one gets up at 5:30am.
But it was a nice day, we had good sets, and I was happy to think that tomorrow Jameson will be here to enjoy the park!
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(picture of the Toothless and Hiccup meet and greet available at Isle of Berk.)

And then,
throughout the day,
people FINALLY started communicating with me!!

First my boss at Main Street Philharmonic communicated to ask if I'd like to do a rehearsal next week.
So I communicated with my transcription boss and asked if I could reduce my workload by one hour.
He communicated back right away with a yes, so I scheduled the rehearsal. This will not only be additional money, but a chance to work on memorizing the Trombone 2 book, which I've slacked off on last week.

Then, the music coordinator for the tour I've ACCEPTED finally communicated three days after I'd reached out to him, apologizing for the delay and confirming that YES, I am CONFIRMED and itineraries will be sent out SOON. Thank god! I felt bad for having heckled him, but also three months of dead silence is a very long time to sit meekly and trust that someone still intends to employ you.

Finally, I communicated with the Asian tour that I HADN'T yet accepted, to politely and regretfully decline their offer. I made sure to express how much I wished I could have done it, and asked them to keep my 'fo on file for future opportunities.
The MD communicated back to say he'd absolutely keep me on file. Yay!

I guess I'm sorry to have worried and complained as much as I did?
But not really.
I am a human with obligations and commitments and needs just like everyone else, and limits to my patience just like everyone else.

After work I went to Whole Paycheck, made myself a hot bar plate, and just kinda hung out because Will lives 20 minutes away so it was easier to just stay in the area before my lesson. The lesson went "ok," but this was my first one after a day of playing tenor trombone at Epic. Switching horns was weird. I'll have to remember that for next week and see if I can mitigate it.

----------------------------------------------------------

Friday, a normal day but unusually cold.
Shirt Shenanigans )

Aaaanyway, I was a bit nervous for Jameson being there to see the show, but when the time came we had a great energetic crowd and he stood right in front to watch :) I was so happy to see him! I only wish we'd had our prop, with our little animatronic puffskein. Ah well, he will be able to watch videos of it online quite soon.

My day went completely normally, I left Jameson alone knowing that he had a limited time to enjoy as much as possible today and wanted him to have that experience without interruptions. After work, Whole Paycheck for wings, and they were giving away Irish soda bread(!) so I HAD to take a loaf!

Back home I got cleaned up and chilled until Jameson got home to tell me about his "Epic" day (ha-ha)
He first of all said that he LOVED our band. Not just because I'm in it and he's biased :p but because he's a musician too. He said that we sounded tight, we were energetic and entertaining, and after seeing almost all of the other "atmosphere" entertainment in the other worlds, he felt that none compared to how good we sounded or how put together we were. That was big flattery and I passed it on to my bandmates right away :)

He got to spend a lot of time in Super Nintendo Land and loved it, and ate at Le Gobelet Noir and said it was exceptionally good. A lot of rides and experiences were unfortunately down today, but he did get to ride some rides and saw most of the major stage shows. He was impressed by the How to Train Your Dragon show but said some of the effects were not quite working right today. And he was blown away by the Cirque Arcanus show...like REALLY blown away, which was awesome to hear because I was ALSO blown away by it and have been dying for him to see it. It's truly a crown jewel of the whole park. I bet Warner Bros will win a load of awards for it.

He must have had a truly amazing time because he raved about all he'd experienced for a solid hour, and said it had been a fantastic day! Also, he did most of this experience with Kristen, his longtime friend and one of my bosses at Epic Universe, and Jodie, another dear friend who had a hand in the actual construction of the Ministry of Magic. She was able to tell him all kinds of insider stuff related to the buildings and artistry and such.

I was so, so happy for him, that he got to experience this park! Once it opens it'll be packed solid for YEARS. This was a once-in-a-lifetime experience, and I'm so grateful to Kristen for getting him (and Jodie!) in!
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(Jodie, Kristen, and Jameson in front of the Ministry of Magic portal)

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Saturday I slept poorly and was up early to do transcription, but the job was sent later than expected so I didn't get started until 9. Plugged away at it until lunch, then trombone practice and a trip to Publix just for cottage cheese, then packed breakfast and lunch for tomorrow.
Then more transcription.

Somewhere in there, our Epic Universe scheduler wrote to say that next week we will have two paid days off!!
This is because the park will be "dark" on the 26th and 27th (i.e. it won't be open for guest previews) but it seems Universal forgot to tell our third party employer that. So they scheduled us as usual, but we aren't even allowed to be on property. At first they tried to schedule an off-site rehearsal, but I guess it didn't work out.

I'm EXTREMELY grateful that we can still be paid!!

Jameson relaxed for most of the day, his knees were bothering him after stomping around Epic all day yesterday.
We had pizza and air fryer wings for dinner, and watched the season finale of Severance. What a crazy, innovative show.

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Sunday, subbing in at the Magic Kingdom.

I decided to take my bass trombone, to practice and to show to Tony (Main Street Phil bass trombonist.)
This was my first time actually using the heavy duty, hardshell trombone case that I got for this bass.
The wheels turned out to be a huge lifesaver! I am ABLE to carry it, but it's very heavy and difficult while also carrying my tenor trombone and my backpack. The wheels saved me a lot of sweat and backache.

This case:


Tony liked my trombone a lot. He played it a bit, and also gave me tips on breathing and finding the center of the pitch instead of wibbling around (like I tend to do.) I also practiced throughout the day between sets, and that was so nice that I'll probably do it again! Notice how I'm always trying to do two jobs at once :p

There was a new signed drumhead in the band's dressing room:
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(Do not share this picture, please.)

This is from the Disneyland Band!
The two bands exchanged signed drumheads during their visit last week. How adorable :)

It was a normal day, two parades and two sets and the flag retreat. I enjoyed it very much, got my bass practice done, got to see lots of smiling and happy Disney guests, and got my 17,000 steps / 7 miles of walking.

Back home, unpacked cleaned up and relaxed with Jameson. He found a Savannah Bananas game on TV! That was fun to watch.

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Monday:
"Day off," mostly transcription, trombone practice, maybe some chores.

Tuesday:
Magic Kingdom rehearsal day.

Wednesday:
A PAID day off!!! Wow!!!
taz_39: (Default)
Right before bed, another spoiler sent via a facebook friend:
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Finally @bioreconstruct and his helicopter have caught us in costume AND with our instruments!
We still did not have our prop, though, so that should still be a surprise for most people.

(I am still under the NDA, but at this point Universal has officially shared our existence and that we're a trio of musicians with a puffskein, plus I haven't had backlash for the other @bioreconstruct photos I've shared, so I will risk this and see what happens.)

Anyway, was up to do transcription. Finished one case and started another shorter case, which sadly had incredibly poor audio and was difficult to work through. This is why you can't judge a case by it's audio length; it may be a short clip, but the clip could be VERY complicated to transcribe. In fact I worked on it for the whole time that Jameson was at the gym, which was frustrating as I'd hoped to practice while he was gone, too. Ah well. Finished all of the transcription and now only have to review everything and ask my bosses some questions.

I also found a general store in Harrisburg, PA that was willing to ship me some church eggs!
Southern-Church-Peanut-Butter-Eggs-2.jpg
(stock image of peanut butter filled "church eggs")

The name of the store is Zimmerman's, which has been around since 1915 and always carries multiple churches' chocolate filled Easter eggs. The eggs are on preorder at most churches during Lent, so I knew I'd better try to get them now or never. The buttercream are my favorite but the peanut butter are awesome too, coconut coming in third :p I got two of each kind of egg from the top two popular churches in the area. Now they just have to somehow not melt on their way here. We'll see how they do!

And then when Jameson got back from the gym, I whipped up the Quaker Maple Bacon Instant Oats to try.
Quaker-Instant-Oatmeal-with-Maple-Bacon-Flavor-9-8-oz-8-packets_a3a37f97-f546-445d-afa2-ba02bf882599.e6d6a45af9044fc1c633188c0b9ca10e.jpeg

They were surprisingly good! Weird, but good. No pieces of actual bacon or even fake bacon, just a sort of smoky aftertaste and smell. And the label says "made with MILK ingredients," so while it doesn't say what or how much, I have to assume that it's lactose or whey for sweetening purposes (many Quaker cereals are sweetened with whey concentrate.) Boo. Still, it was fun to try!

After that I went to the grocery for taco salad ingredients, and back home went for a walk. It was sunny and 70F with a brisk breeze and not a cloud in the sky. I'm surprised that we can still have days like this, this late in the spring in Central Florida. Usually by now I remember it being 10 degrees hotter. Not complaining. Didn't see anything special on the walk, it was just good to get some fresh air.

Finished transcription, got notification that the firefly petunias I'd ordered for family have shipped so I notified my fam and sent care instructions for when they arrive. Also ordered myself some vanilla lavender chai, a sample pack, because when I'm feeling anxious sometimes I buy myself small waste-of-money things online. I am anxious, btw, because I feel that I really ought to hear more about the upcoming summer tour, and am impatient to hear something and worried until I hear something. This is typical for me, and simply means that I'm impatient, not that anything is overdue or in jeopardy. Right.
..............right?

Taco salads were nice as usual. I had an Underberg afterward and that felt nice too.

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Had stress dreams, so did Jameson. His were about his job interview today. Mine, weirdly, were about the pork roast I plan to make today. In the dream I had to make it for a huge group of people and only had enough ingredients for Jameson and I. I've always been very stressy about cooking/baking so this is no surprise.

Mariah (one of the other Epic female trombonists) had messaged sometime in the night to say that her grandpa had passed away, and could Andrea or I fill in for her today. Technically I was free, but by the time I woke up to read the message it was 7:30am which is when I'd usually be leaving for Epic. Fortunately Andrea had apparently been up and responded at 6:30am to say she could do it. Anyway, not to be selfish but I really needed today to finish this transcription job, so I'm glad Andrea could do it. (Obviously if she hadn't been able to I would have no matter the inconvenience to me.)

After reading through those messages and eating breakfast I got a late start on transcription review, but plugged away until Jameson went to the gym, then ran to the grocery for ingredients. Back home, switched over to practicing because I did not practice at all yesterday and felt guilty about it. I haven't been memorizing my Disney stuff either, entirely because I feel overwhelmed about it, and because it's not something I was asked or required to do, just something that I took upon myself in case I was needed with our 2nd trombonist out with an arm injury. But it doesn't seem like I AM needed, I haven't been called at all and his subs must be covering for him. There goes my motivation for memorizing the 2nd part.

Well, I got in a good hour of bass practice then went back to transcription until lunch time when I prepared and seared the pork tenderloins and got them going in the slow cooker with peach jam, bourbon, peach balsamic, a bit of soy, molasses, spices, onions, and garlic. This is a photo from the last time I made this but it looks just the same. Also, it was so good that I did an entire post just on this recipe, HERE.


After lunch I made the slaw and some iced tea, and set Hawaiian rolls out to thaw.
Am I getting a jump-start on summer with this meal? Lol.

While doing all that, Keith messaged to ask if I'd cover at the Magic Kingdom for the next two Sundays and I said yes before considering that Mariah might need one of those days for her grandpa's funeral. So I quickly texted back and forth with the Epic Trombone Ladies, and it seems like we should be all right. Phew. I am grateful for the additional work, but in this particular situation I'd waive "Disney Priority" and help Mariah first.

I went back to transcription around the same time that Jameson began his interview with DEG. He was using headphones and had the door shut so I couldn't totally tell how it went, but heard him laugh a few times and speaking passionately about his work at others. When he emerged he told me it had gone well, and that he should hear more by Thursday, and that if there's another interview it will likely be in person. Fingers and toes, fingers and toes. Crossing ALL of our fingers and toes.

Back to transcription review until it was finished (yay!). Now all I have to worry about tomorrow is getting the frankenbone cleaned, practicing, and packing for Epic.

Before bed, received a startling offer to join an Asian tour of Charlie and the Chocolate Factory!
This is my first international tour offer. Something that I've hoped and dreamed for.
And I will have to turn it down, because I've already said yes to another equally-dream-job tour!

How strange life is. A few months ago I was scrubbing toilets and selling hats.

-----------------------------------------------------------------------------

Wednesday, barely slept at all because my mind was racing about what touring Asia would be like, and from angst about not having heard back from the tour I've accepted. Now that this other offer has appeared, I would REALLY like for the other tour to confirm with me, again, that I'm signed with them, A) because they've been silent for 3 months exactly, B) because they haven't sent any paperwork or info as yet, C) because it would be the worst thing in the world to decline a job for another job and then find out you don't have the other job, and D) because I am the type of person who really badly needs legitimate reassurances, or something more than a verbal agreement.

I mean, unless something has gone horribly wrong, I am still slated to head out with the tour I've accepted.
But waiting to know FOR SURE makes me feel like someone is twisting a knife in my stomach.
Just yes or no, guys. Please.

The MD, bless his patient heart, did get back to me to say as far as he knows everything is still a-go.
That is indeed reassuring, but I'd also like to hear it from the music coordinator if possible.

Anyway, was up too early, ate breakfast, drove out to Pat's with the frankenbone.
He went to work on it right away, and I started the drive out to Clermont to kill time but he called to say he was done before I got there. Drove back and we talked about trombone nerd stuff for a bit, thanked him for his work, and drove home.

Where I proceeded to eat lunch, pack for Epic tomorrow, and screw up my courage to call the music coordinator. He did not answer so I left a message. And then I did nothing for the rest of the day because I felt discouraged, annoyed, and put out. I HATE being in limbo, it drives me absolutely bonkers. This should be a set job. I should not be fretting to this extent. But three months of silence plus having to turn down another offer, while trying to patiently wait to hear from someone...it's really, really hard for me in ways and on levels that I can't describe. It makes me absolutely squirm inside.

Jameson was also in a bit of a funk probably for the same reason, as he's supposed to hear back about his job interview tomorrow. We binge-watched three episodes of Traitors and went to bed early, knowing it would be hard to fall asleep anxious.

---------------------------------------------------------------------------------

Thursday:
Epic, followed by my bass trombone lesson. I hope Will isn't put out when I show up with my show makeup on lol.

Friday:
Epic again...and Jameson will get to see the park, and my show!!! I am nervous and excited. He will get to see more of the park than I ever will, too, and I'm jealous of that.

Saturday:
A day off. I'll have to do a lot of transcription.

Sunday:
Filling in at the Magic Kingdom. I'm looking forward to it.
taz_39: (Default)
Aaaah. You guys.

I got an offer, just now, to join the Charlie and the Chocolate Factory Asia tour.

Two years touring China, Taiwan, Manila, Macao, Singapore, India, Malaysia/Indonesia, UAE/Saudi Arabia, and Hong Kong.

The MD for Tootsie recommended me for it.

and...I will probably have to turn it down.

ARRRRRRRRRRRGH.

-- -- -- -- --

Why? Because
A) Another tour during the same time frame has made an offer first, and I have already accepted.
B) The other tour is union, which equals higher pay and benefits.
C) The other tour is with a company that is typically VERY beneficial to work for, if you want more opportunities in the future.
(and I will share who and what Other Tour is, as soon as I can. Whenever that is.)

But oh.
I have wanted an international tour for SO LONG. 
And now I have to turn down one dream for another.

This is one of those times where you're supposed to be grateful to be showered in opportunities beyond your wildest hopes.
And I am! Oh my god, to be considered at all for these things is all that I've wanted, all this time.
I could not ask for more.

But the FOMO, you guys! 
It HURTS. 

And...to me, adventures are just as good as, if not better than, money. 
Which is why although one gig pays more, the one with more adventure is just as valuable, and just as hard if not harder to decline.

-- -- -- -- -- 

Well, the thing is, I have not heard from the other tour for close to 3 months since receiving their offer.
So, I've written to everyone I know there asking someone to confirm with me that I'm still "signed" for that tour.
And while waiting for a response, I've thanked the MD for Charlie and the Chocolate Factory and expressed interest, but told him my situation and asked if he'd be willing to wait a few days for my response. He was very gracious about it.

And now I have to wait. ARRRRRRRRRRRRGH.

Other than the radio silence for several months (which is sadly not uncommon in this industry) I have no reason to think anything's changed with the tour I've already committed to. And I am a person who sticks to my commitments and contracts. So unless something went wrong and I just don't know it yet, I sadly will not be going to Asia this time. Because I've committed to another glorious opportunity instead.


ARRRRRRRRRRRRGH.
I am blessed.
ARRRRRRRRRRRRGH.

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